TV Room: ‘The Night Of’

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Riz Ahmed in ‘The Night Of’ (HBO)

night_of-posterA long-in-development, eight-episode miniseries, The Night Of has the heft and snap of that rare crime novel which seems to have been written by somebody who has actually talked to a few cops and crooks in their time. That’s because it’s written by Richard Price, whose gritty, funny novels from The Wanderers to The Whites provide a kind of alternate history of New York.

What’s it about? In short, a good kid from Queens (Riz Ahmed) goes out when he shouldn’t, hangs out with a girl who fairly screams bad news, and ends up in a police station. For murder. John Turturro plays his low-end lawyer with a heart of gold; in a role that James Gandolfini originated not long before his death.

The Night Of is on HBO Sunday nights; check it out. My review is at PopMatters:

The world of cops, judges, and lawyers is one that sorts the people who come within its grasp. That’s at least the case in crime fiction like HBO’s darkly sparkling new noir miniseries The Night Of. It’s generally a binary thing, without much shading…

Here’s the trailer:

Reader’s Corner: Great Books of 2015

Looking for something to read? There’s plenty out there to choose from.

Check out “From Training Hawks to World War III: A Short List of Great 2015 Books” at Re:Print.

Here’s some other books from last year that really stood out:

After all, winter is (finally) here. Time to catch up on your reading.

In Books: Richard Price’s ‘The Whites’

The Whites-coverEven though The Whites was technically published under Richard Price’s genre pen name Harry Brandt, the publisher didn’t even bother leaving his real name off the thing. It might be a crime novel instead of straight realist fiction and a couple hundred pages shorter than his usual. But the style is unmistakably that of the writer who brought such lived-in detail to novels like The Wanderers and Lush Life and his scripts for The Wire. This time, it’s just a little tighter, more razored. So in short: great stuff.

My review of The Whites is at PopMatters:

Fitting his moniker, Billy Graves is a cop working the night shift. Exhaustion is his permanent state, eyes falling out of his head from the damage being done to his circadian rhythms. All the caffeine in the world, those long-after-midnight energy-drink bodega injections, can’t keep his thought processes straight. As a result, he’s a little slow on the uptake when things start getting squirrelly. But, then, maybe he always was on the slower side…

You can read the full first chapter here.

Writer’s Desk: Michael Connelly

When you’re looking for advice on writing, the masters are of course always reliable. But it might be wiser to just dive right into the ranks of those who spend their lives toiling in the fields of pulp. After all, it’s the creators of genre fiction who are more likely to have to work with brutal deadlines and for fiercely judgmental audiences.

Michael Connelly, 2013 (Brian Minkoff)
Michael Connelly, 2013 (Brian Minkoff)

So, here’s Michael Connelly, of the Harry Bosch series of novels, as well as The Lincoln Lawyer, talking to Writer’s Digest about his three favorite bits of writing advice. They’re all gold:

The best crime novels are not how cops work on cases; it’s how cases work on cops. — Joseph Wambaugh

Every character should want something, even if it is only a glass of water. — Kurt Vonnegut

When you circle around a murder long enough, you get to know a city. — Richard Price