Screening Room: ‘Encounter’

The new thriller Encounter is perhaps not the most original genre movie you are going to see this or any year. But as seems to keep happening, it is more than worth your time for the lead performance from the ever-underestimated Riz Ahmed.

Encounter is slated for release on Amazon in early December. My review from the Toronto International Film Festival ran at Slant:

As alien invasions go, the one that opens Michael Pearce’s Encounter is fairly low-key. Bright meteor-like flashes cut across the night sky. Close-up shots of squirming insects and human bloodstreams infected with clouds of swarming parasites suggest a quietly multiplying bug menace. But what Pearce doesn’t show is made up for in the fervid imagination of his raggedy, impassioned protagonist, Malik (Riz Ahmed), who’s frantically planning to go off the grid to get away from whatever the meteors have delivered to Earth…

Here’s the trailer:

TV Room: ‘The Night Of’

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Riz Ahmed in ‘The Night Of’ (HBO)

night_of-posterA long-in-development, eight-episode miniseries, The Night Of has the heft and snap of that rare crime novel which seems to have been written by somebody who has actually talked to a few cops and crooks in their time. That’s because it’s written by Richard Price, whose gritty, funny novels from The Wanderers to The Whites provide a kind of alternate history of New York.

What’s it about? In short, a good kid from Queens (Riz Ahmed) goes out when he shouldn’t, hangs out with a girl who fairly screams bad news, and ends up in a police station. For murder. John Turturro plays his low-end lawyer with a heart of gold; in a role that James Gandolfini originated not long before his death.

The Night Of is on HBO Sunday nights; check it out. My review is at PopMatters:

The world of cops, judges, and lawyers is one that sorts the people who come within its grasp. That’s at least the case in crime fiction like HBO’s darkly sparkling new noir miniseries The Night Of. It’s generally a binary thing, without much shading…

Here’s the trailer:

New in Theaters: ‘Trishna’

It’s a shame that Michael Winterbottom thought to set his modernized Tess of the d’Urbervilles in India instead of in England, or another Western nation. This isn’t because he doesn’t know how to use South Asia as a setting (he does) or because today’s India doesn’t provide a highly relevant analogy for many of the class issues in Thomas Hardy’s novel (it does). But by shifting Hardy’s story from England 1891 to a developing nation, it lets viewers off the hook…

Trishna is playing now in limited release, and while it definitely has its faults is still an undeniably gorgeous and effective romantic melodrama of the kind that don’t seem to get made that much anymore. My review is PopMatters.