On the Media: ‘The Jinx’ and Confessions

thejinx-posterCuriously enough, there is actually a precedent for the news that broke over the weekend with a blockbuster HBO documentary playing an outsized role in an ongoing media sensation of a criminal case.

Decades before Andrew Jarecki’s The Jinx played a (as yet not fully clear) role in the arrest of the perennial murder suspect and troubled millionaire Robert Durst, Joe Berlinger and Bruce Sinofsky’s true-crime classic Paradise Lost (about the West Memphis Three) bumped up against the realities of an ongoing criminal investigation. While filming the proceedings, Berlinger was given a bloody knife that was similar to the murder weapon:

Berlinger told Rachel Maddow on MSNBC on Monday that he immediately went to HBO, and together they decided to turn the knife over to investigators, even though it put their film at risk.

He said he would like to think that he would reach the same conclusion today, but noted the increased pressure to make films as entertaining as possible.

It’s not entirely clear what responsibilities the filmmakers of The Jinx had when confronted with potential evidence of Durst’s culpability some time ago. But the fact that Durst wasn’t arrested until just the day before the miniseries’ last episode on Sunday is being seen by some as a media-manipulated event.

I reviewed the first couple episodes of The Jinx: The Life and Deaths of Robert Durst for PopMatters here.

 

On TV: ‘The Jinx’

'The Jinx': Kathleen and Robert Durst (HBO Films)
‘The Jinx’: Kathleen and Robert Durst (HBO Films)

Tonight, HBO is premiering the first episode in its six-part true-crime documentary The Jinx: The Life and Deaths of Robert Durst. It’s a stranger-than-fiction tale from director Andrew Jarecki (Capturing the Friedmans) who first tried to tackle the curious case of Durst with 2010’s fictional film All Good Things, where Ryan Gosling played Durst, heir to a massive Manhattan real-estate fortune, who was accused of killing his first wife Kathleen, who disappeared in 1982.

thejinx-posterMy review of the first two episodes is at PopMatters:

There’s no straight line through Robert Durst’s story. Instead, there is a curlicue leading from a privileged Manhattan childhood to Dynasty-style power struggles, a lengthy stretch of cross-dressing, and potential connections to three murders. The baffling particulars of Durst’s case and his resolute odd-man-out nature come with the added coating of unreality provided by a life of extreme wealth. It’s a captivating story, and a difficult one to tackle without succumbing to its and his Sphinxian spell. Fittingly, the first two episodes of Andrew Jarecki’s six-part documentary, The Jinx: The Life and Deaths of Robert Durst, don’t reveal whether or not it will succumb…

Here’s the trailer: