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They're here to make you feel bad about your choices: the record-store clerks of 'High Fidelity'.

They’re here to make you feel bad about your choices: the record-store clerks of ‘High Fidelity’.

high_fidelity-posterIn the eternal classic High Fidelity, John Cusack plays Rob, a happily embittered record-store owner who spends a lot of time talking to the camera, when he’s not grousing about women, his employees, life. While his particular angle is music and the collecting rare examples thereof, many of his ruminations about that habit (“fetish properties are not unlike porn”) could apply equally to most any other art form. For instance:

What really matters is what you like, not what you are like… Books, records, films — these things matter. Call me shallow but it’s the fuckin’ truth.

Anybody out there who doesn’t believe deep down that there isn’t some truth to what he’s saying? Shallow or not, doesn’t bonding over the shared love of a particular cultural object (book, film, whatever) stand as its own unique and valid type of connection?

cashbook1Here’s Rob on books:

I’m not the smartest guy in the world, but I’m certainly not the dumbest. I mean, I’ve read books like The Unbearable Lightness of Being and Love in the Time of Cholera, and I think I’ve understood them. They’re about girls, right? Just kidding. But I have to say my all-time favorite book is Johnny Cash’s autobiography Cash by Johnny Cash.

Note the obsessive’s need to add the wholly unnecessary “Cash by Johnny Cash” there, just in case you didn’t get what he meant with “Johnny Cash’s autobiography.”

And here, just for kicks, the Top 5 Records scene from High Fidelity:

 

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