It’s hard to know what to make of Jia Zhangke’s newest film A Touch of Sin. On the one hand, it’s a docudrama that links together four based-on-reality stories about Chinese people taking desperate measures in horrendous circumstances. But as much as it reminds one of great novels about people caught in the capitalist machinery of the 19th century (Balzac and Dreiser, in particular), it’s also a stylized revenge film with some surrealism thrown in for good measure. Whatever it is, this is not a film to miss.
Winner of the best screenplay award of this year’s Cannes Film Festival, A Touch of Sin is playing now in limited release. My review is at Film Journal International; here’s part:
The closest you’ll come to a happy person in Jia Zhangke’s A Touch of Sin is the grim-faced loner Zhou San (Wang Baoqiang). Unfortunately, he’s probably a psychopath. The film’s three other major characters are all eventually thrust into a type of insanity, but Zhou is the only one who seems to have both already crossed over and be content with it…
You can watch the trailer here: