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A Q-tip can fix the grandest painting in ‘National Gallery’ (Zipporah Films)

Every year or so, Frederick Wiseman produces another documentary, normally of unusual length, that sneaks behind the scenes of institutions ranging from the University of California-Berkeley to a boxing gym. His newest spends three hours wandering like a fascinated ghost around London’s National Gallery. It’s not his best, but still a fascinating piece of work.

National Gallery is opening this week in limited release. My review is at Film Racket:

National Gallery follows the Wiseman style, its sprawling and octopus-like nature weaving the everyday with the sublime. The film starts and ends with a flutter of stills showing highlights from the Gallery’s 2400-odd paintings; heavy on the Masters, with a spray of Impressionism, lots of Turner. It’s a feast in and of itself. Wiseman then moves into the business of day-to-day work at the Gallery, which occupies a grand position on the north side of Trafalgar Square. That includes everything from the workers waxing the floors and dusting to the administrators quietly arguing in conference rooms to the tour guides explaining the holdings to some of the five-plus million visitors who come through the doors every year…

You can see the trailer here:

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