Screening Room: ‘Official Secrets’

(IFC Films)

In the new thriller from Gavin Hood (Rendition), Keira Knightley plays the real-life whistle-blower who tried to stop the UK from bending to US pressure to cook up intelligence to justify the invasion of Iraq in 2003.

Based on Marcia and Thomas Mitchell’s book The Spy Who Tried to Stop a War, Official Secrets opens this week. My review is at PopMatters:

This is usually a time of drudgery, when sloppy comedies and stupid worn out action franchises waste everyone’s time. So it comes as a nice surprise to watch a corker like Gavin Hood’s unexpectedly jarring and immediate espionage thriller Official Secrets unspool in a close, carefully calibrated way that actually grabs one by the conscience…

Here’s the trailer:

Screening Room: ‘Sword of Trust’

swordoftrust
(IFC Films)

In the new comedy from Lynn Shelton (Humpday), podcaster, comic, and Glow star Marc Maron plays a disgruntled pawn shop owner who gets sucked into a screwball plot about Civil War truthers when he comes across a rare sword.

Sword of Trust opens this week. My review is at PopMatters:

Sword of Trust is in many ways a quintessentially Southern movie. But that sensibility is primarily expressed in the laconic humor and slippery slides from bonhomie to violence. Shelton expends little effort on a cinematic sense of place, aside from some melancholic insets of faded storefronts around the Birmingham, Alabama pawn shop where the action takes place. That is, except for the obsession with the Civil War, or as some characters might characterize it, “Thuh Wah of Nawthun Aggression”…

Here’s the trailer:

Screening Room: ‘In the Intense Now’

In Joao Moreira Salles’ beautifully wrought documentary, In the Intense Now, an impressionistic flow of amateur footage captures the joy and despair of the revolutionary movements of the 1960s. It’s an incredible trip.

My review is at PopMatters:

The movie’s first half (“Back to the Factory”) starts with the street battles that ripped through Paris in May 1968. As far as Salles tries to explain it, narrating with a sonorous moodiness and marveling wonder, the protests were a sudden flaring crucible in which all the ferment of the Sixties burned white-hot over a few short weeks…

Here is the trailer:

Screening Room: ‘Combat Obscura’

During 2011-2012, cameraman Miles Lagoze tracked the lives and deaths of his fellow Marines as they battled the Taliban, boredom, rage, ennui, and bafflement at what the hell they were even doing in Afghanistan’s Helmand province. When he came back home, there was a lot of footage the Corps didn’t want the public to see.

The result is his documentary Combat Obscura, which is playing now in limited release. My review is at PopMatters:

The best and most vital documentary about front-line combat in the never-ending Wars on Terror since Sebastian Junger’s Restrepo (2010), Combat Obscura comes in swinging, with something of a chip on its shoulder…

Here’s the trailer:

Screening Room: ‘Transit’

An adaptation by Christian Petzold (Barbara) of Anna Seghars’ novel about refugees fleeing the Nazis somewhat roughly and surreally adapted to modern times, the romantic, disturbing drama Transit opens this week in limited release.

My review is at PopMatters:

It’s a sign of the times, maybe, that when one of the characters says at the start of Christian Petzold’s Transit, “Paris is being sealed off,” the first thought is not of war but of terror…

Screening Room: ‘Worlds of Ursula K. Le Guin’

My review of the new documentary Worlds of Ursula K. Le Guin was published at PopMatters:

Hard times are coming,” author Ursula K. Le Guin said in her fiery 2014 speech accepting the National Book Foundation award. Her tone was somehow somber, yet also chipper, as though she had already acknowledged the worst and now was girding for battle. She was fixing her bayonet in bright spirits and about to go over the top…

Here’s the trailer:

Screening Room: ‘Monrovia, Indiana’

‘Monrovia, Indiana’ (Zipporah Films)

The newest documentary from Frederick Wiseman, Monrovia, Indiana, is opening this weekend around the country.

My review is at Eyes Wide Open:

There is nothing like a Frederick Wiseman movie. With an allergic resistance to the messaging and urgency prevalent in today’s nonfiction filmmakers, he has amassed a singular body of work that has done more to illuminate the human condition than any other single American filmmaker. He could be our greatest living documentarian…

Here is the trailer: