Back in 1999, the always forward-looking Walker Art Center in Minneapolis hosted a career retrospective for the Quixote-like filmmaker Werner Herzog. He was years past his early narrative successes like Aquirre, the Wrath of God and yet to hit the later bumper crop of documentaries that started with 2005’s Grizzly Man.
Still, Herzog came bristling with ideas, like the intellectual guerrilla he is. As part of the event, he issued his “Minnesota Declaration: Truth and Fact in Documentary Cinema.” It’s a unique 12-point manifesto, particularly coming from the man who regularly admits to fictionalizing parts of his nonfiction films. In between the snark, however, you can see his fiercely individualistic stance on life, art, and purpose threaded through.
A few worthy callouts:
- “Fact creates norms, and truth illumination.”
- “Tourism is sin, and travel on foot virtue.”
- “Each year at springtime scores of people on snowmobiles crash through the melting ice on the lakes of Minnesota and drown. Pressure is mounting on the new governor to pass a protective law. He, the former wrestler and bodyguard, has the only sage answer to this: ‘You can’t legislate stupidity.'”
This may be the only time in history Werner Herzog and Jesse Ventura occupied the same theoretical space.