In L’Atessa (The Wait), a grieving mother played by Juliette Binoche meets her son’s girlfriend for the first time after a funeral that’s left her emotionally devastated. Emotional gamesmanship ensues.
The Wait is playing now in limited release. My review is at Film Journal International:
Holding the center of Piero Messina’s dark oil painting of a story is Juliette Binoche, deftly submarined as Anna, the mother in mourning, with a grief-etched countenance as striking as worn granite. Unable to come to grips with her loss, she waits in a grand, remote Sicilian estate where the mirrors are covered in black shrouds and appears uninhabited even by the people who live there. Anna’s dark watch is interrupted by the arrival of Jeanne (Lou de Laâge), the pert French girlfriend of her son Giuseppe, whom she has never met. Invited by Giuseppe to spend the days before Easter at his house, Jeanne shows up in the funeral’s aftermath to find that he’s not there to greet her. Anna is welcoming but formal, distant and evasive…
Here’s the trailer: