Writer’s Desk: Kill Your Adjectives

America’s greatest aphorism factory since Ben Franklin, Mark Twain had a lot to say about a lot of things. Since he was a pretty efficient writer, supposedly averaging about 1,400 words a day, Twain thought a lot about the mechanics of his craft.

One of his most frequently quoted pieces of advice came in a letter where he argued for simplicity:

I notice that you use plain, simple language, short words and brief sentences. That is the way to write English – it is the modern way and the best way. Stick to it: don’t let fluff and flowers and verbosity creep in. When you catch an adjective, kill it…

That’s where the quotation usually ends. But Twain goes on:

I don’t mean utterly, but kill most of them – then the rest will be valuable. They weaken when they are close together. They give strength when they are wide apart…

Keep it simple. Avoid excess description when you can. Get to the point. But avoid being too strict about it.

The English language is a lovely tangle of a garden. Don’t be scared of leaving the path and getting lost in the mess now and then.

Writer’s Desk: Write Like You Read

Virginia Woolf (1902)

One of Virginia Woolf’s more famous essays is “How Should One Read a Book?” And rightly so. It’s a loving and vigorous defense of not just reading itself but how to approach it with both a judicious and wide-roaming eye. She insists, in short, on reading whatever you please:

To admit authorities, however heavily furred and gowned, into our libraries and let them tell us how to read, what to read, what value to place upon what we read, is to destroy the spirit of freedom which is the breath of those sanctuaries. Everywhere else we may be bound by laws and conventions—there we have none…

Use the same approach when writing. Hear people out, seek their counsel, take what makes sense. As Woolf says about reading:

The only advice, indeed, that one person can give another about reading is to take no advice, to follow your own instincts, to use your own reason, to come to your own conclusions…

Write freely, but not thoughtlessly.

Screening Room: ‘Alfred Hitchcock: The Iconic Collection’

Yep, every one of those films in fully remastered 4K Ultra HD. Plus extras. And a cool bookshelf case.

My review of Alfred Hitchcock: The Iconic Collection is at PopMatters:

Far from lazy, Alfred Hitchcock: The Iconic Film Collection delivers a delectable sampling of the director in the late bloom of his career. These six films—Rear Window (1954), To Catch a Thief (1955), Vertigo (1958), North by Northwest (1959), Psycho (1960), and The Birds (1963)—provide everything from spiffy and urbane romantic crime melodramas to a road-trip espionage thriller, an eerie take on the apocalypse, a chilly study in obsession, and a proto-slasher film. It’s a staggering collection. No other mainstream director ever took on so many genres so successfully and in such a short time…

Writer’s Desk: Umberto Eco’s Rules

Umberto Eco was the kind of writer many aspire to become. Witty, pugnacious, ridiculously well-read, and generally up for anything, whether it was an ornately detailed conspiracy theory, heavily researched mystery novel, or punchy political essay.

Given that, he had a lot to tell other writers about their craft, even if he failed to follow his own advice. Here are a few of Eco’s rules for writing, delivered with tongue planted firmly in cheek:

  • “A complete sentence should comprise.”
  • “Avoid clichés: they’re like death warmed over.”
  • “No plurale majestatis, please. We believe it pompous.”
  • “Don’t write one-word sentences. Ever.”

Screening Room: Best Movies of 2024

My year-end movie review was published at Eyes Wide Open:

The weirdest aspect to moviegoing in 2024 was just how weird it wasn’t. That doesn’t mean COVID and streaming haven’t reshaped the industry, likely forever. But with a few standouts, things have settled into a familiar pattern. Audiences flocked to cinematic comfort fare that gave a safe return on investment. Everybody knows what they’re getting with Despicable Me 4 or Venom: The Last Dance. Nearly every movie that earned over $100 million this year was a sequel (incredibly, they’re still making Bad Boys and Planet of the Apes movies). The IP mining shows no signs of stopping. The commercial failure of the unusually subversive Joker: Folie à Deux, an acidic burn-the-bridges takedown of fan culture, suggests that derivative and repetitive will be the assumption going forward…

Writer’s Desk: Bridge the Divide

A Rhodes Scholar who left Oxford to join the Marines in 1968, Karl Marlantes served one tour of duty in the Vietnam War before returning home and spending the next few decades trying to understand what happened over there and how to communicate it to anybody else.

In “Why I Write,” Marlantes described being surrounded by protestors once in 1970:

They shouted obscenities and jeered at me. I could only stand there stunned, thinking of my dead and maimed friends, wanting desperately to tell these students that my friends and I were just like them: their age, even younger, with the same feelings, yearnings, and passions…

So he spent the next 30 years writing Matterhorn, a wrenching masterpiece which is just about the only Vietnam War novel that deserves mentioning in the same breath with Tim O’Brien’s The Things They Carried.

Marlantes did this to tell his story. But he also wanted to bridge that gap he felt back in 1970:

Ultimately, the only way we’re ever going to bridge the chasms that divide us is by transcending our limited viewpoints. My realization of this came many years ago reading Eudora Welty’s great novel Delta Wedding. I experienced what it would be like to be a married woman on a Mississippi Delta plantation who was responsible for orchestrating one of the great symbols of community and love. I entered her world and expanded beyond my own skin and became a bigger person…

Put the words down. Build a world. Get the reader out of their own skin, even just for a moment. It’s one of the great rewards of writing.

Writer’s Corner: Learn and Share

Nikki Giovanni (Elsa Dorfman, c.1980)

The late Nikki Giovanni (1943-2024) was a poet who did a lot of things most people don’t expect poets to do. She started her own publishing company. She recorded an album with a gospel choir. She even interviewed James Baldwin on television.

She also gave good advice to those willing to listen:

I know some writers say you must write every day, but I believe you should read every day. Learn something every day.

Even if it’s only something new to cook or to eat. Even if you just sit in your backyard and watch the birds or the squirrels. Give yourself over to something new.

Embrace the possibility. Why? Because you have to have something to talk about. Something you can connect for yourself and for your readers.

Writing is about sharing. Be sure you are in a giving way…

You never know, that recipe might come in handy for your next story.

Best Books of 2024

The year-end best books of 2024 feature just launched from PopMatters. I contributed the introduction and a few selections of my own:

Industry consolidation or not, publishers of all sizes and tastes kept publishing more fascinating books than anybody could come close to reading in a year. However, the indomitable critics here at PopMatters did our level best throughout 2024 to keep up. As usual, we paid special attention to the exhilarating number of books on music that came our way. Questlove just keeps knocking out books along with 50 quintillion other projects (is that workaholism or just passion?). There were also new volumes on R.E.M., the black roots of country, Jesus and Mary Chain, 2 Tone Records, Beatlemania, and more. Here and there, generalists that we are, we dipped into a broad range of nonfictional reading, from Greil Marcus on creativity to Steve Coll on why the Iraq War happened…

Writer’s Desk: Start Cutting

Sometimes when stuck for inspiration, or just as a way of jump-starting things, William S. Burroughs liked to use something he and his friend, painter Brion Gysin, developed called the “cut-up method.” It’s not difficult, per Burroughs:

Take any poet or writer you fancy. Heresay, or poems you have read over many times. The words have lost meaning and life through years of repetition. Now take the poem and type out selected passages. Fill a page with excerpts. Now cut the page. You have a new poem. As many poems as you like…

Is that cheating? If you listen to most media theorists, we have been in the age of collage for a few decades now. Give it try. You never know what might come through.

Screening Room: Best Movies of 2014 – ‘Guardians of the Galaxy’

One of the best, most welcome surprises of 2014 was James Gunn’s first Guardians of the Galaxy. I revisited that as part of a 10-year retrospective at Eyes Wide Open:

There’s a lot to appreciate — and maybe even love — about the original Guardians of the Galaxy. The eager-to-please sprawl of Gen-X references, from Mom’s ’70s pop music mixtape to hero Peter Quill (Chris Pratt, surfer-dude sly) romancing the green-skinned assassin babe Gamora (Zoe Saldana) by referencing the “legend” of Footloose. Banter threaded slyly through the action instead of airdropped in by producers demanding test-screening-approved humor beats. A talking raccoon skilled in jail-breaks and bomb-making. A genocidal villain thwarted by a dance-off. The two-hour running time, practically unheard-of brevity for modern blockbusters. David Bowie’s “Moonage Daydream”. Howard the Duck…

Reader’s Corner: PW’s 2024 Graphic Novel Critics Poll

Myself and a number of other (far more estimable) writers were asked to vote on the best graphic novels of the year for Publishers Weekly.

The results are in!

For the second year in a row, the top spot on PW’s annual graphic novel critics poll is shared by two titles. The debut graphic memoir Feeding Ghosts by Tessa Hulls (MCD) and the graphic novel Victory Parade by Leela Corman (Schocken) both received a total of five votes from PW’s panel of 11 critics. These powerful works, while distinctive in style, are remarkably similar in theme, with both delving into the inheritance of trauma across generations, particularly depicted through the fraught dynamics of mothers and daughters…

Screening Room: Best Movies of 2014 – ‘Boyhood’

Boyhood (IFC Films)

Now that it’s been 10 years since the first Eyes Wide Open annual movie guide came out, it seemed a good time to look back on what were the most memorable movies of 2014.

My article on Richard Linklater’s achingly poignant Boyhood was published at Eyes Wide Open:

… wobbly at times but still magical in an everyday way. The film follows a quiet and daydream-prone boy, Mason (Ellar Coltrane, likable if sometimes stiff), growing up in Texas with a snarky older sister Samantha (Lorelei Linklater) and divorced parents (Patricia Arquette, Ethan Hawke). There’s no story, per se, it’s just his life from about age 7 to 18. Linklater’s visual scheme is straightforward and shorn of obvious flair; the often affectless dialogue even more so. But that deceptively simple framework is rich with accrued detail and insight…

More pieces on the best of 2014 to follow.

Here’s the trailer:

Writer’s Desk: Do Something, Then Write

In an interview with Guernica, Jamaica Kincaid dismissed the idea that writing is a real profession, no matter how much people try to make it into a career:

The thing about writing in America—and I just recently understood this—is that writers in America have an arc. You enter writing as a career, you expect to be successful, and really it’s the wrong thing. It’s not a profession. A professional writer is a joke. You write because you can’t do anything else, and then you have another job. I’m always telling my students go to law school or become a doctor, do something, and then write. First of all you should have something to write about, and you only have something to write about if you do something. If you just sit there, and you’re a writer, you’re bound to write crap. A lot of American writing is crap. And a lot of American writers are professionals. Writing is not a profession. It’s a calling. It’s almost holy…

Shameless Self-Promotion: ‘A Minnesota Book(ish) Miscellany’

I worked with the good folks over at Rain Taxi Review of Books to celebrate the unique literary culture of Minnesota with a new chapbook. A Minnesota Book(ish) Miscellany is a collection of trivia, ephemera, and quotes about the state’s rich ecosystem of bookstores, booksellers, and generally passionate book people, such as:

  • Memorable quotations from over a century of sources (Dylan to Dessa and beyond)
  • Curated lists that assemble a prismatic picture of Minnesota’s wide-ranging attention to the book
  • The stories behind the people behind the bookstores, from the biggest chains to the scrappiest indies
  • Key dates in state literary history
  • Picks for a Minnesota Writers Hall of Fame

You can order this nifty little edition from Rain Taxi here and soon also at local bookstores.