Reader’s Corner: ‘Blank Space: A Cultural History of the 21st Century’

I reviewed Blank Space, which is not a Taylor Swift song but the new “Cultural History of the 21st Century” from the insightful and ever-cranky W. David Marx (Status and Culture) for the Minnesota Star-Tribune:

The phrase “Time is a flat circle” often refers to how the manic post-pandemic news cycle makes comprehension of the recent past impossible. A similarly dazed bafflement is explored in W. David Marx’s lucid and entertaining —yet despairing — book about the new millennium’s flattening of culture…

Writer’s Desk: Building Your Book

The books of Mark Z. Danielewski (House of Leaves, especially) are complex, dense, and thrillingly visual. He tells BOMB that his process is a lot like construction:

Writing is so much about laying down brick after brick, and yet you can’t just stack bricks, because then you’re making a tomb. There has to be this mortar, and that mortar, as we can see for ourselves, right now even, is the space between words…

Writer’s Desk: Coffee, Roaming, and TV

Patti Smith on her morning writing routine:

I get up and if I feel out of sorts I’ll do some exercises. I’ll feed my cat, then I go get my coffee, take a notebook, and write for a couple of hours. Then I just roam around. I try to take long walks and things like that, but I just kill time until something good is on TV…

Good ideas come when walking. Or watching shows, preferably ones with detectives. Thinking of better ways you could have solved the crime might be self-flattery but it also gets ideas percolating.

Screening Room: ‘Ballad of a Small Player’

My review of the latest confection from Edward Berger (Conclave) is at Slant Magazine:

Ballad of a Small Player is a fevered, neon-drenched film about a man on the run from his crimes and himself, and it wants to simultaneously revel in the glamor of high-end gambling and critique the unending gluttony that fuels it. This isn’t an unusual tack for Berger, as his All Quiet on the Western Front has a similarly confused relationship to the industrial violence that it lasciviously depicts. But this film, adapted by Rowan Joffe from Lawrence Osborne’s 2014 novel of the same name, is all about the possible spiritual redemption of spiraling gambler Lord Doyle (Colin Farrell), and its ambivalent perspective on the greed and glitz of his world makes it difficult to invest much care in what happens to him…

Ballad of a Small Player will be available on Netflix tomorrow. Here’s the trailer:

Writer’s Desk: Get Yourself an Office

Alain de Botton (The Consolations of Philosophy) had a problem, as many do, with insomnia and focus. So he decided to go to work at an office. It allowed him to escape:

 One of the most welcome aspects of office work is that you do not need to be fully yourself. It demands that those who participate in it behave “professionally”, which means that you are not asked to bring the entirety of your character to the fore…

As a result, he could bear down, put certain thoughts away, and get to writing:

It can be the greatest freedom, sometimes, to have to repress some of what you are. I sit quietly for hours. I’ll have a sandwich at the desk. I can’t sink into despair, scream or act all poetic: other people are watching. At the office, there’s a chance to edit yourself, thankfully. That’s why I go there…

Screening Room: ‘The Fence’

I reviewed the new Claire Denis film The Fence at this year’s New York Film Festival for PopMatters:

It is unclear where Alboury, the character played by the great Isaach De Bankolé in Claire Denis’ scorching, powerfully mythic new film The Fence, works or lives. It is not even clear if he is a corporeal person or some apparition generated by history and the murmurings of the unquiet dead…

The Fence does not have a U.S. release date set.

Shameless Self-Promotion: ‘The Writer’s Year 2026’ on Sale Now

The second edition of my calendar for Workman, The Writer’s Year: 365 Days of Inspiration, Prompts, and Quotes is now on sale! Think of it when shopping for that friend or relative who has always talked about being a writer but needs a push. Or take a look when stalled on your own project (shopping for writing calendars is a superb procrastination technique).

Each day of The Writer’s Year comes with a bit of inspiration from a great author, like this from Leslie Jamison:

With each project, you eventually have to surrender the perfect version of the work to make room for what you actually create.

There are also exercises to get the words flowing:

Start a flash fiction story (300–1,000 words) with this line: “Down the slope and across the valley they rode.”

And also stories about how writers overcame an obstacle or lack of confidence:

Comedian, essayist, and all-around exemplar of drollery Stephen Fry was once three chapters into a new novel, Revenge, when he found himself in a “pickle.” He realized too late that the story he was so pleased with was quite similar to The Count of Monte Cristo. Fry calmed down once he discovered that Alexandre Dumas’s storyline was reworked from a popular contemporary urban legend. Happy that “Dumas pinched the story, too,” Fry went ahead and finished his book, changing his character names to anagrams of Dumas’.

Buy it now from Workman, Barnes & Noble, Amazon, or your local indie.

Screening Room: ‘Father Mother Sister Brother’

I reviewed Father Mother Sister Brother‘s U.S. premiere at the New York Film Festival for PopMatters:

If there is a lesson Jim Jarmusch is trying to impart in his latest feature, Father Mother Sister Brother (and dear Lord, let’s hope he is not), it is this: Nobody knows anybody. Even when you are related. Maybe especially when you are related…

Father Mother Sister Brother should be opening in December. Here’s the trailer:

Writer’s Desk: Try Sounding Like Somebody Else

When Paul McCartney had trouble working through a song (hard to imagine, but yes it happened), he found simply invoking another songwriter helped limit the anxiety of production. Per American Songwriter:

It frees you up,’ he writes. In the end, though you put on the mask of another artist (in the case of this song it was Ray Charles), you’ll find it was your song all along: ‘The song takes on its own character.’

This way, if what you are writing doesn’t work out, it’s not on you but the writer you’re imitating. If it does, well, you can always thank them in the acknowledgements.

Screening Room: ‘Is This Thing On?’

Bradley Cooper’s third film, Is This Thing On?, just closed out the New York Film Festival. I reviewed for Slant Magazine:

When Alex (Will Arnett), the disgruntled protagonist of Bradley Cooper’s comic drama Is This Thing On?, first stalks onto the stage of New York’s Comedy Cellar, he doesn’t have a single joke to tell. All he has is the story of his recent separation from his wife, Tess (Laura Dern). The silence echoes at first, his breathing loud and suggesting an incipient panic attack. But Alex eventually gets a few laughs with some self-deprecating comments helped along by his comedically hangdog persona. Getting a solid round of applause on leaving the stage, Alex looks like a soon-to-be gambling addict who’s just won his first jackpot…

Is This Thing On? will open later in the year. Here’s the trailer:

Screening Room: ‘The Woman in Cabin 10’

I reviewed the adaptation of Ruth Ware’s mystery The Woman in Cabin 10 for Slant Magazine:

Simon Stone’s The Woman in Cabin 10 is a locked-room mystery in which Laura (Keira Knightley), an investigative reporter for The Guardian, is invited by mysterious billionaire couple Richard (Guy Pearce) and Anne (Lisa Loven Kongsli) onto their luxury yacht. The cruise to Norway, doubling as self-regarding announcement of a massive philanthropic venture and a last big party for the deathly ill Anne, has barely begun when Laura sees a woman fall overboard. Told everybody on the yacht is accounted for, Laura at first thinks that she’s being gaslit. Later, after an unseen person shoves her into a pool where she almost drowns, Laura starts to believe that she’s the next to be murdered…

Here’s the trailer:

Writer’s Desk: Your Life is Literature

In her classic graphic memoir Fun Home: A Family Tragicomic (the book which, more than any other, introduced the graphic novel into the literary canon), Alison Bechdel uses numerous literary references (Proust, Henry James, Greek mythology) and allusions when describing her upbringing and members of her family.

As Bechdel explains in the book, this was not a tactic for distancing or adding importance to mundane matters. Viewing her life through an artistic framework was just what came naturally:

I employ these allusions to James and Fitzgerald not only as descriptive devices, but because my parents are the most real to me in fictional terms…

Screening Room: ‘Play Dirty’

Mark Wahlberg, LaKeith Stanfield in Play Dirty (Amazon MGM)

I reviewed Play Dirty, which is starting on Amazon Prime tomorrow, for Slant Magazine:

Donald Westlake’s Parker character, who he wrote about in many books under his penname Richard Stark, is a clever yet nasty machine of a criminal with a preternatural drive. That alone makes for a compelling screen character. But his brutishness doesn’t gel with the more comedic style preferred by Shane Black, director and co-writer of Play Dirty, a very loose adaptation of the Parker book series that keeps Westlake’s penchant for grubby violence but grafts it uneasily onto a more noble character whom the author wouldn’t recognize…

Here’s the trailer:

Writer’s Desk: Lie Well

When being interviewed by The Paris Review (as all the greats were, once upon a time), John Cheever was asked about how to be true to reality in fiction. His response:

It seems to me that falsehood is a critical element in fiction. Part of the thrill of being told a story is the chance of being hoodwinked or taken. Nabokov is a master at this. The telling of lies is a sort of sleight of hand that displays our deepest feelings about life…

Make things up. That is fiction. But you can, and should, base your fictions in truth.

Reader’s Corner: ‘Murderland’

I reviewed Caroline Fraser’s new book Murderland: Crime and Bloodlist in the Time of Serial Killers for the Fall 2025 edition of Rain Taxi Review of Books:

We don’t live in a time when a single book can create a galvanizing moment, but if we did, Caroline Fraser’s Murderland could be a Silent Spring for serial killing. Ostensibly about the surge of lurid slayers who plagued the Pacific Northwest in the 1970s and ’80s, her narrative is also about the landscape that birthed them. In the award-winning Fraser’s hands, the region’s depressive atmospherics of gloomy rain-sodden forests and isolated company towns serve as backdrop to something even larger: the crime which gave rise to the crimes…