TV Room: ‘Watchmen’

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Regina King as Sister Knight in ‘Watchmen’ (HBO)

Damon Lindelof’s wonderfully strange and deeply political Watchmen series is more interested in exploring the further ramifications of Alan Moore’s groundbreaking graphic novel than producing a faithful reenactment. It’s a high-risk move but one that appears so far to be paying off.

My article on Watchmen is at PopMatters:

The first episode, a direly ironic hour, kicks off in Tulsa during the 1921 massacre in which whites rampaged through the black neighborhood of Greenwood. Jumping to an alternate-historical 2019 Tulsa, Oklahoma, in which the racially-mixed police wear masks to protect their identity from a murderous white-supremacist underground called the Seventh Kavalry (for Custer’s unit decimated at Little Big Horn), the episode uses the massacre less as plot point and more as ominous overture…

Here’s the trailer:

Reader’s Corner: Summer Graphic Novels

I reviewed three new graphic novels—well, a graphic memoir of self-discovery and heartache by Ulli Lust, one immersive graphic biography about Stephen Hawking, and George Takei’s internment-camp memoir, to be precise—in a summer roundup for this weekend’s book section of the Minneapolis Star-Tribune.

They’re all smart, absorbing reads and well worth your time.

Check out the reviews here.

Screening Room: ‘Avengers: Endgame’

My article, “Is Avengers: Endgame a Miserable Bore or Something Worse?” was published at Eyes Wide Open:

It’s official: We’ve been had. Avengers: Endgame is many things. A complex web of interlocking character arcs. A masterpiece of corporate synergy. A box office hit whose take various publications simply cannot stop fawning over. It is not a good movie, or even a passable one. Yet somehow this great yawning bore of a cinematic black hole will end up being remembered as the great smash hit of 2019…

Writer’s Desk: Let the Magic Happen

When graphic novelist Alan Moore (Watchmen, League of Extraordinary Gentlemen) was asked by a fan what “happens” to him when he writes, this is in part how he replied:

I know that my consciousness, if I am immersed in writing something demanding, is moved into a completely different state than the one which I inhabit during most of my waking life…

When you descend into this level of our reality, the code of our reality if you like, then whether consciously or not; whether deliberately or not, you are working magic. So, the answer to your question as to what happens to me when I write, is the most banal and useless answer you will ever get from an author: the magic happens…

One of the secrets to writing, it would seem, is to allow yourself to descend into that fugue state and just let the magic work its way through you.

It seems to have worked for Moore.

Screening Room: ‘Captain Marvel’

The latest Marvel comic movie, Captain Marvel, opens this weekend pretty much everywhere.

My review ran at Slant:

As another of the character-introducing MCU stories existing mostly to feed new superheroes into the Avengers series, Captain Marvel looks like something of a trial run. You know the drill: If the film lands with audiences, then you can count on Captain Marvel (Brie Larson)—like Iron Man, Captain America, Thor, and even Ant-Man before her—getting her own series. But if not, then, hey, she’s at least assured of being asked to pop by the game room at Stark Industries for a kibitz in somebody else’s franchise down the road. Based on what’s on display here, Captain Marvel could well get her own star turn again at some point, but hopefully it will be with a different crew behind the camera…

Department of Lists: 2018 Edition

(image by KangZeLiu)

Since it’s the end of the year, and there’s only so much champagne one can drink while watching Andy Cohen/Anderson Cooper and hoping that 2019 will show 2018 how things should have gone, it’s time to look back at some of the best that the year that was had to offer.

To that end, I contributed some pieces to a few different publications who make a point of cataloging this sort of thing:

Now you’ll have something to do this January besides catch up on new TV shows and ignore your dieting pledges.

Screening Room: A Little ‘Venom’ Goes a Long Way

Tom Hardy in Venom (2018)

A hybrid superhero-antihero misfire that wastes Tom Hardy in a should-have-been great role, Venom is somehow even less fun than when he played both Kray twins a few years back in the London gangster epic bomb Legend.

Venom is playing now pretty much everywhere. My review is at Film Journal International:

There are plenty of characters from the Spider-Man universe who could manage having a movie all to themselves. Eddie Redmayne as the Green Goblin. Maybe Tilda Swinton as a gender-reversed Doctor Octopus; just imagine the goggles. In theory, Venom should be perfectly able to handle a story all on his own. Despite serving as a somewhat weak anti-Peter Parker in the mostly forgotten Spider-Man 3, the ravening parasitic alien being seems like a perfectly good villain to set loose on an unsuspecting world…

Reader’s Corner: Social Justice at Comic-Con

Though it will probably spur a backlash from the troll-ier corners of fanboy world, this year’s San Diego Comic-Con—the ever-more-massive pop culture lollapalooza currently taking over a good part of the city’s downtown—features a broad focus on diversity and social justice issues.

Per the San Diego Union-Tribune, here’s a few of the events being highlighted:

  • Panel: “Radical Activism in Comics”
  • Panel: “What Rebellions are Built On: Popular Culture, Radical Culture, and Politically Engaged Geeks”
  • Voter registration drive led by Indivisible and Black Mask Studios

Also, Black Mask Studios is releasing a special convention issue of their Trump-versus-California comic Calexit, with all proceeds going to help immigrants and their families in the San Diego area.

Nota Bene: On Being a Black Nerd

From Lawrence Ware’s “Black Panther and the Revenge of the Black Nerds,” where he talks about what the release of a blockbuster adaptation of the Black Panther comic series means:

Now I know that to be a black nerd is by no means anomalous; there are millions of people who look like me and grew up loving comic books. Yet despite our numbers, we were underground for a long time. But now, there appears to be a widening cultural appreciation for what black people have always known: There are many ways to be black in America. The 44th president helped.

Barack Obama meant a lot to black nerds. Jordan Peele, the director of “Get Out,” told NPR back in 2012, “Up until Obama, it was basically Urkel and the black guy from ‘Revenge of the Nerds.’” President Obama showed us that to be black and nerdy could actually be an expression of black cool, what the author Rebecca Walker who compiled a series of essays on that topic, defines as audacity, resistance and authenticity in the face of white supremacy.

Reader’s Corner: Best Graphic Novel of the Year

Every year, the good folks at Publishers Weekly ask all of us lucky writers who review comics for them to put our votes in for what we thought were the best books of the year. The results came out this week in their Annual Graphic Novel Critics Poll.

The winner was Emil Ferris’s My Favorite Thing is Monsters. Some of the runners-up were:

  • Everything is Flammable by Gabrielle Bell
  • The Best We Could Do by Thi Bui
  • My Lesbian Experience with Loneliness by Nagata Kabi

Screening Room: ‘Thor: Ragnarok’

So there’s another Thor movie out, and this one’s a blast.

Thor: Ragnarok opens tonight. My review is at PopMatters:

It says something when one of a movie’s main attractions is Cate Blanchett slinking around in a slinky black unitard and a halo of horns saying things such as “Kneel before me!” and it doesn’t quite capture your attention. That’s just the kind of ride that Thor: Ragnarok is. This is a “Damn the torpedoes!” operation. One imagines Marvel turning the keys of the studio over to director Taika Waititi, and saying to him, “There’s a couple hundred million on the kitchen counter, have fun. Oh, and make it seem like it’s the last movie we’re ever going to make”…

Here’s the trailer:

Screening Room: Summer Movies, the Oscars, and ‘Wonder Woman’

My article “Wonder Woman was Fine but It Shouldn’t Win an Oscar” is now available at Eyes Wide Open:

The summer movie season is undergoing the usual August agita. That’s when industry watchers and studio execs wring their hands over what’s going wrong with the business. Traditionally, the swelter of summer was when people turned off their brains, went to the multiplex, bought tubs of popcorn, and luxuriated in the air conditioning while watching Michael Bay blow things up with subwoofer-shredding thunderousness. That’s less and less the case, and the empty-seat summer of 2017 is an object lesson in what has gone wrong. There are a few reasons for this…

Screening Room: ‘Ghost in the Shell’

The Scarlett Johansson live-action remake of the classic 1995 anime Ghost in the Shell hit DVD and Blu-ray this week. My review is at PopMatters:

For a movie ostensibly about uniqueness and what makes us human, Ghost in the Shell doesn’t make a strong argument for either. This is a story in which the technology fascinates and the people bore. Sense memories of other movies proliferate until you forget quite what it was you were watching in the first place. That’s the sort of thing bound to happen when the star (Scarlett Johansson) is playing a role she can sleepwalk through and the story was only groundbreaking when first filmed over 20 years ago…

Here’s the trailer: