Department of Holiday Poetry: ‘The Nightmare Before Christmas’

nightmarebeforexmas1Back in 1982, when Tim Burton was an animator at Disney and directing a movie with Pee-Wee Herman was still years away, he wrote a little poem called The Nightmare Before Christmas. Years later, long after the stop-motion animated film version became an alt-parental favorite for pre-goth kids everywhere, this video was made of Christopher Lee (i.e., embodiment of stern-voiced evil as Saruman, Count Dooku, and many iterations of Fu Manchu) reading the poem itself.

The holidays are nearly upon us; enjoy:

At the Movies: Don’t Talk, Really

As anybody who has gone to a movie in the theater in the last few decades can attest, the whole “no talking” thing has never been completely adopted by the larger population. Some people, in fact, seem to view exercise of going to the movie theater as no different from watching TV at home with family and friends. Different strokes.

All theaters make some pretense of telling people to be quiet and turn off their phones. But nobody is as hardcore about it as the Alamo Drafthouse in Austin, Texas. The Alamo (which is now starting to expand around the country) has long been an oasis of film fandom, with their mix of deep repertory selections, cult classics and smartly curated second-runs—not to mention a great menu and beer selection.

They also really don’t like talkers and texters, bless their hearts. As can be attested to here:

Trailer Park: ‘The Girl’

Alfred Hitchcock had his issues, no question about that. But although his obsessions with guilt, control, and particularly various of his leading ladies have been well documented in print, outside of the cineaste world those proclivities are not well known. That might change somewhat with the release of The Girl.

Premiering in late October on HBO, The Girl is about the legendary campaign of intimidation that Hitch waged against his star Tippi Hedren on the set of The Birds.  Hedren herself has talked about what a miserable experience it was, calling him an “unusual, genius, and evil” filmmaker.

The film about the film stars Sienna Miller as Hedren and (applause) the great Toby Jones as Hitch himself. The director is Julian Jarrold, who directed the first and best of the Red Riding films back in 2009.

Check out the trailer here:

Film Flashback: ‘True Romance’

One of the late Tony Scott’s films that broke free of his glossy Top Gun / Beverly Hills Cop 2 template was 1993’s True Romance. Scripted by Quentin Tarantino and his old running buddy Roger Avary, it featured Clarence (Christian Slater), an Elvis-worshipping Tarantino-esque comic-book geek who goes on the run with the proverbial golden-hearted hooker Alabama (Patricia Arquette) after killing her pimp (Gary Oldman). Everything ends up in a feather-strewn and John Woo-esque shootout with mobsters, movie producers, and the FBI. With its glossy cinematography and crowded cast of stars who wanted in on the next big thing, this was a turning point for Scott and Tarantino in specific, and Hollywood in general…

My article “What ‘True Romance’ Did for Tony Scott and Hollywood” is up at PopMatters.

The original trailer is here:

Quote(s) of the Day: Erroll Flynn

Besides acting in too many great films to mention—only one of which, 1938’s The Adventures of Robin Hood, would be enough for any actor to achieve immortality—the ever-enthusiastic Erroll Flynn was also an author of sorts.

Just a few months after his death in 1959, Flynn’s “autobiography” My Wicked, Wicked Ways was published, instantly scandalizing Hollywood for its brazen cynicism and warts-and-all attitude. Of course, it’s never been out of print since. 

Crafted mostly by Earl Conrad and a team of stenographers and allegedly cribbed in parts from other sources (including even Thoreau’s Walden), the book is full of pithy declamations about the good life lived hard. Among them:

I have been in rebellion against God and Government ever since I can remember … But I had my vodka—and had faith in that. It came in cases. I got up in the morning and reached. I hawked, coughed around a while, took another drink, started the day.

And also this:

Living I have done, enormously, like a gourmand eating the world, and I don’t suppose it is egotism, but only fact, to suggest that few others alive in the present century have taken into their maw more of the world than have I.

Well, it works for some.

‘Citizen Kane’ Gets a Downgrade

Those glorious Brit cine-eccentrics over at Sight and Sound have just put out their annual critics’ poll of the Top 10 films of all time, which wouldn’t normally be that newsworthy. However, given that they were one of the critical organs that was responsible for elevating Citizen Kane to its current stratospheric ranking in the canon, here’s the shocker: Vertigo is now number one. This is the first time a film besides Kane has occupied that position since 1962. It’s now been relegated to number two.

It was probably about time for a change of leadership. Does anybody really think Vertigo is the best film of all time, or even Hitchcock’s greatest work? Certainly one of the master’s more impressive films, but no Rear Window or even Shadow of a Doubt. Many other issues besides that with the list — no documentaries, not a Lean, Scorsese, or Kurosawa to be seen — but they could at least pick the right Hitchcock…

Vote yourself: