New in Theaters: ‘American Sniper’

Bradley Cooper (right) as Chris Kyle in 'American Sniper' (Warner Bros.)
Bradley Cooper (right) as Chris Kyle in ‘American Sniper’ (Warner Bros.)

americansniper-cover1Before Chris Kyle was murdered at the age of 38, he had amassed a legendary kill record as an army sniper; possibly the most lethal one in American military history. His bestselling memoir, American Sniper, was originally planned as a Steven Spielberg project, but the film was ultimately directed by Clint Eastwood, no stranger to squint-eyed dramas of force and will.

American Sniper hit theaters today. My review is at Film Racket:

Bradley Cooper is rarely the sort to grab one’s attention at center stage; he only truly lights up films like American Hustle or The Hangover series when there’s a co-star for him to bounce his nervy patter and blue eyes off of. But Cooper’s performance as Kyle delivers the proper mix of humility and bottled-up frustration called for in a soldier from whom so much is expected. The film starts off with Kyle on a rooftop in Iraq, covering a column of Marines advancing through a city. He sees a woman hand a grenade to a young boy, who runs with the weapon towards the Marines. No other soldiers have eyes on the pair. His spotter reminds him that if he gets it wrong, “they’ll burn you”…

Here’s the trailer:

New in Theaters: The Non-Musical ‘Jersey Boys’

The 'Jersey Boys' sing, sing, sing (Warner Bros.)
The ‘Jersey Boys’ sing, sing, sing (Warner Bros.)

jerseyboys-poster1If the touring production hasn’t played at a downtown theater near you yet, it soon will. The story of Frankie Valli and the Four Seasons, Jersey Boys was already one of the most successful of the jukebox musicals that have plagued enriched Broadway over the past few years; and that was before Clint Eastwood (having a week or two off, apparently) decided to make it into a movie. One point for his unaccountably dull and strangely non-musical version: It has Christopher Walken.

Jersey Boys opened wide on Friday. My review is at PopMatters:

When Rob Marshall filmed Chicago, he didn’t try to jam Bob Fosse’s meta-narrative into a standard dramatic structure. Marshall understood that film viewers can accept, just as theatergoers do, that the characters will occasionally start belting out a song with full-band accompaniment against an instantaneously-appearing backdrop; reality be damned. Certainly he tarted up the whole thing with quick edits and spotlight razzle-dazzle, but it stayed true to the original show’s spirit. This is not the case in Jersey Boys

Here’s the trailer: