Screening Room: ‘Wonder Woman 1984’

The sequel Wonder Woman 1984 opens in some theaters and on HBO on Christmas. My review is at Slant:

Calling Patty Jenkins’s Wonder Woman 1984 a perfectly acceptable comic-book adventure might sound more negative than intended. But in a time when the genre is more typically given to the kind of world-building that seems primarily committed to spinning off corporate cinematic widgets (Avengers: Endgame, extended Snyder cuts, and the upcoming onslaught of new-universe-spawning Marvel flicks), a standalone story more engaged with its characters than series continuity is almost refreshing…

Here’s the trailer:

Screening Room: ‘Birds of Prey’

Birds of Prey
(Warner Bros.)

My review of the new DC Comics movie Birds of Prey, which is playing now everywhere, was published at Slant Magazine:

The self-consciously ornate subtitle for Birds of PreyAnd the Fantabulous Emancipation of One Harley Quinn—lays out the reason for this film’s existence far better than the first 45 minutes or so of jumbled exposition that follow. In theory, the self-consciously goofy story of a “badass broad” who breaks free from being pole-dancing eye candy for her villain boyfriend to carve out a life for herself would be a welcome addition to a canon of films still in thrall to hyper-buff and hyper-serious dudes. And surrounding her with a squad of equally fierce and sarcastic female ass-kickers has the potential for a vibrant, pop-punk comedic franchise: Think Guardians of the Galaxy by way of Barb Wire. But since the film can never figure out how seriously to take its heroine, or how to gin up a halfway engaging caper what could have been an emancipation ends up feeling more like a trap for the character…

Here’s the trailer:

Screening Room: ‘Batman v Superman’

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Since it had been a few weeks since we had the opportunity to see a movie about guys in tights throwing punches at each other, now we have Batman v Superman: Dawn of Justice.

“The New Batman and Superman are Terrible Superheroes” was published at Eyes Wide Open:

For Zack Snyder’s latest CGI cage-match, combat isn’t just a way of resolving disagreements and kicking along the plot, it’s a way of life. As self-important as it is tedious, Batman v Superman: Dawn of Justice features one of the great tropes of the comic book universe — getting two big heroes to fight each other — but treats it with such seriousness that the filmmakers don’t seem to realize that they’re stooping to one of the genre’s most tired tropes. It ranks right up there with having an alien power menace Metropolis (wait, that happened in Man of Steel), or randomly creating a well-nigh unkillable supermonster who multiple superheroes must come together to fight (wait, they do that in this one, too)…

New on DVD: ‘Batman: The Complete Series’

Batman-DVD setFrom 1966 to 1968, ABC showed one of the greatest series ever to grace the American TV screen. The original Batman TV show was different from pretty much everything that came before. Full of bright Pop Art colors and tongue-in-cheek satire, it both celebrated and mocked the superhero genre in a way that kids could take straight and adults could enjoy as comedy.

Finally, after years of legal wrangling, all 120 episodes are finally available for your viewing pleasure on DVD and Blu-ray. My review of Batman: The Complete Series is at PopMatters.

Also, here’s The Jam performing the unassailably cool theme to Batman:

Reader’s Corner: Great Otherworldly Librarians

(Courtesy DC Comics)
Batgirl, when she’s not shelving (courtesy DC Comics)

Readers of genre fiction—particularly science fiction and fantasy—have a special place in their hearts for bookstores, libraries, and other (preferably dark and quiet) repositories of the written word. While librarians would seem to most like a prickly breed, they tend to show up in works of the fantastic as heroes, or at least very valuable allies.

Thanks to the smart folks at Tor, here’s a look at some of the more awesome fantasy/sci-fi librarians, ranging from Buffy the Vampire Slayer to the Sandman comics.

It’s a solid list, all in all (even if it does miss out on the omnisciently Jeeves-ian Librarian from Neal Stephenson’s Snow Crash), though they do pale in comparison to Barbara Gordon, the occasional librarian otherwise known as Batgirl.

Comics Corner: Hippies Hate Superman!

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As one of the longest-surviving comics publishers in the business, DC Comics did so (like everyone else who made it) through a combination of quick turnaround, constant reinvention, and relentlessly squeezing every last penny out of their comics. In one of their less-inspired moves, in the 1950s, DC created a spinoff to their tentpole property Superman that came with the highly prosaic title Superman’s Pal Jimmy Olsen.

hippieolsen1So far, so bad. However, in one of those granular moments of surreality that comes when publishers chase every cultural trend and damn the logic, that series produced one bona fide classic. We give you: 1969’s fabulous freakout Hippie Olsen’s Hate-In!

Firstly, there’s the issue that Jimmy Olsen looks here more like a bearded dandy from the Edwardian era than hippie (details). Then there’s Jimmy’s tendency throughout the entire series to want to kill Superman. Blog into Mystery notes:

…You don’t have to be Freud or Jung or whoever to see that he has some issues with the most important people in his life. He has no problem with dreaming about punching them, tripping them, or KILLING THEM, without a whole lot — let’s be honest – of provocation for any of those deeds.

This strikes me as a problem.

It seems that Superman has always had this problem. Unlike some superheros—Batman, Spider-man—whose enemies have wanted to do away with them for interfering with their dastardly plans, Superman’s very existence appears to be the driving force behind the hatred, from friend and foe. The very indestructibility that makes him so powerful a force for good and (unfortunately) so uninteresting as a character also engender some very mixed feelings in the all-too-weak people (villains and not) who surround him.

Must make for a lonely life.