Screening Room: ‘Breaking’

My review of the movie Breaking originally ran earlier in the year after its Sundance premiere when it was still titled 892. It’s getting a limited release now and is worth seeking out, particularly for featuring one of the final performances from the late great Michael K. Williams.

You can read the review at Slant:

Abi Damaris Corbin’s terse and powerful Breaking falls snugly into the genre of film centered around hostage negotiations, but it extends past familiarity with the aim of satisfying more than our thirst for thrills. Based closely on a real incident from 2017, the film tells the story of Brian Brown-Easley (John Boyega), a Marine veteran suffering from PTSD who walked into a Wells Fargo bank in an Atlanta suburb and said he would detonate a bomb unless his demand was met. That demand would seem almost comically small in a fictional version of this story: $892 in disability payments that the Department of Veterans Affairs withheld from Easley, which he needed in order to pay off student debt. This is a man looking not to get rich or take revenge, but to get a little shred of his dignity back…

Here’s the trailer:

Screening Room: ‘Detroit’

A true-crime white-knuckler set in the chaos of the 1967 Detroit riots, Detroit is playing now in limited release and will be opening wider on Friday.

My review is at Film Journal International:

Set in the chaos of the 1967 Detroit riots, Mark Boal’s screenplay dramatizes and expands on a little-remembered episode of police brutality that crystalizes the violence of a country wrenching itself apart. In that crucible, Krauss (Will Poulter), a casually sadistic police officer who earlier in the riot shotgunned a man for running with looted groceries, ringleads a bloody interrogation whose methods fulfill all the worst fears of black Detroit residents…

Here’s the trailer: