Reader’s Corner: Stan Lee’s Marvelous Life

My interview with Danny Fingeroth, author of the new biography A Marvelous Life: The Amazing Story of Stan Lee, was just posted at Publishers Weekly:

What do you think accounts for Lee’s ability to create such an incredibly long-lived roster of characters?

Stan is pretty much the only comic creator who the casual person on the street would know. Because he became the voice and face of not just Marvel Comics but the comics industry, there was a long time when Marvel had no publicity department. Stan was in the office most days, he was available, he always had a quip and a quote. Stan took that on. He realized that this would be his vehicle for extending himself and Marvel beyond the attention of people who read comics. He cultivated it. Why nobody else took that on is hard to say…

Screening Room: ‘Captain Marvel’

The latest Marvel comic movie, Captain Marvel, opens this weekend pretty much everywhere.

My review ran at Slant:

As another of the character-introducing MCU stories existing mostly to feed new superheroes into the Avengers series, Captain Marvel looks like something of a trial run. You know the drill: If the film lands with audiences, then you can count on Captain Marvel (Brie Larson)—like Iron Man, Captain America, Thor, and even Ant-Man before her—getting her own series. But if not, then, hey, she’s at least assured of being asked to pop by the game room at Stark Industries for a kibitz in somebody else’s franchise down the road. Based on what’s on display here, Captain Marvel could well get her own star turn again at some point, but hopefully it will be with a different crew behind the camera…

Screening Room: A Little ‘Venom’ Goes a Long Way

Tom Hardy in Venom (2018)

A hybrid superhero-antihero misfire that wastes Tom Hardy in a should-have-been great role, Venom is somehow even less fun than when he played both Kray twins a few years back in the London gangster epic bomb Legend.

Venom is playing now pretty much everywhere. My review is at Film Journal International:

There are plenty of characters from the Spider-Man universe who could manage having a movie all to themselves. Eddie Redmayne as the Green Goblin. Maybe Tilda Swinton as a gender-reversed Doctor Octopus; just imagine the goggles. In theory, Venom should be perfectly able to handle a story all on his own. Despite serving as a somewhat weak anti-Peter Parker in the mostly forgotten Spider-Man 3, the ravening parasitic alien being seems like a perfectly good villain to set loose on an unsuspecting world…

Screening Room: Summer Movie Sequels

My essay on the ever-more sprawling world of movie franchises, “Sequel Summer: Deadpool Fights Thanos in Jurassic World,” is at Eyes Wide Open:

After banking a billion-plus revenue from Black Panther, Disney kept the Marvel machine humming with the late April release of Avengers: Infinity War. The first half of an apocalypse two-parter, this was less a standalone movie than a short-attention-span episode of a long-running series that was running out of ways to keep engineering conflict. Infinity War: Part One didn’t even bother establishing itself as a standalone movie like Black Panther did. It just dumped every available Marvel hero into a Battle Royale against Thanos, a big dull dud of a genocidal villain, and made sure to string it out to next summer’s sequel. Spider-man, Doctor Strange, the Hulk, Thor, and Nick Fury? Sure! How about Guardians of the Galaxy, too? Why not?…

Screening Room: ‘Guardians of the Galaxy, Vol. 2’

The summer movie season is already started, thanks to The Fate of the Furious. But now it gets going in style, with the sequel to James Gunn’s Guardians of the Galaxy hitting theaters next Friday.

My review is at Film Journal International:

The anticipation couldn’t be higher for Gunn’s sequel, a movie that depends on being nimble on its feet. Those expectations are met, and then some, in a bigger, bolder outing that locks the audience in from a credits sequence in which Baby Groot (a computer-modulated Vin Diesel) boogies ever so cutely to ELO’s “Mr. Blue Sky” while barely avoiding being squished by the multi-tentacled monster fighting the Guardians in the background. The choice of starting a summer blockbuster by focusing on the teeny dancing sentient tree instead of the monster battle with jet packs and lasers taking place mostly off-screen might seem odd to some. But, as is said later on in, Baby Groot is just “too adorable to kill”…

Here’s a trailer: