From Jem Cohen’s must-see 1999 documentary on the band Fugazi (you can see the whole movie here), this clip lays audio for their instrumental “Guilford Falls” over a hypnotic, electrifying montage of concert clips from their all-out performance at an anti-apartheid benefit concert:
Richard Linklater’s first movie, Woodshock, was a 7-minute documentary short from 1985 about the Texas indie music festival. A couple minutes in, you can see a very shy Daniel Johnston getting ready to perform (“I work at McDonalds. This is my new album.”). Later diagnosed with schizophrenia, Johnston recorded some of the greatest, oddest, most heartbreakingly sweet music of the last few decades. He died this week at the age of 58.
(h/t: Morning News)
“Tango ‘Til They’re Sore” by Tom Waits. As visually interpreted by Rowlf (originally a Jim Henson interpretation of a Waits-ian pianoman), Kermit, and the Muppet gang. In black and white, of course:
No, not that movie called Woodstock. This is a different documentary, much shorter, and more about the planning and execution. So, less music. But, still: Hendrix.
Woodstock: Three Days That Defined a Generation opens this week in limited release, and should be broadcast in August on PBS’s American Experience.
According to Woodstock: Three Days that Defined a Generation, the 1969 Woodstock festival seemed fated to fail. But a rare convergence of good luck, good intentions, and good vibes somehow snapped into place and crystallized over a few days in August the aspirations of a counterculture about to hit its peak…
Back in 1980, a movie about West Indian youths in London scrapping for a piece of something to call their own premiered in Cannes and promptly disappeared from sight over concerns about its controversial treatment of racism and violence.
Babylon is just now getting its American release. My review is at PopMatters:
It’s in many ways clumsy and ham-fisted. And yet, somewhere in between the densely layered dub and reggae soundtrack, Chris Menges’ evocative cinematography, and the sharp spark of political agitation, there’s something to the movie that cannot be so easily dismissed…
Here’s the trailer:
Fyre was supposed to be the great music festival of 2017. Instead it turned into a social media schadenfreude disaster. Now Chris Smith (of American Movie fame) made a documentary out of it. Sometimes we get lucky that way.
Fyre opens in limited release and will be available on Netflix this Friday.
The video ads for the Fyre Festival looked amazing when they first rippled through the Instagram feeds of influencer models like Bela Hadid and Emily Ratajkowski in late 2016. For a certain kind of status-seeker, marooned somewhere cold and just waiting for the next warm-climate EDM gathering, the marketing for the music festival promised a bro heaven populated only by models…
Here is the trailer:
The September 2017 edition of The Journal of African American Studies was devoted entirely to the study of one artist: Prince.
It is our hope that this special issue will inspire readers to access previously untapped reservoirs of creativity, help reorient the thinking of those who endeavor to pursue similar ventures that place Prince at the center of analysis, as well as prompt scholars to devise nuanced and unconventional ways to probe, study, and analyze an artist whose persona and life’s work defied convention…