Screening Room: ‘The Irishman’

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In Martin Scorsese’s The Irishman, Robert De Niro plays Frank Sheeran, a reputed hitman who charts a course through a baroque landscape of postwar American intrigue, crime, and paranoia.

The Irishman is playing in a few theaters now, as well as on Netflix. My article about it is at Eyes Wide Open:

Based on Charles Brandt’s book I Heard You Paint Houses, about the decades Sheeran spent as a Zelig-like mob enforcer and assassin,The Irishman is one of the more curious and hard-to-pigeonhole gangster movies that Scorsese has ever done. Pulling back from the music-strobed buzziness of Goodfellas and Casino, and worlds away from the Nouvelle Vague/Cassavetes jitters of Mean Streets, it’s a cool, elegiac, and somewhat detached epic whose three and a half hours float by with a disconcerting calmness…

 

Screening Room: ‘The Great Hack’

The Great Hack is a new documentary about how Cambridge Analytica worked with private user data happily served up by Facebook in order to minutely target propaganda that helped win the 2016 election for Donald Trump.

Not available on Netflix until this Wednesday, it is already stirring up legal issues in the UK.

My review is at The Playlist:

It’s a sign of how quickly it feels like the world is being torn apart around us that even a ripped-from-the-headlines documentary, such as Karim Amer and Jehane Noujaim’s “The Great Hack,” can feel almost dated…

Here’s the trailer:

Screening Room: ‘Extremely Wicked, Shockingly Evil and Vile’

Lily Colins and Zac Efron in ‘Extremely Wicked, Shockingly Evil and Vile’ (Netflix)

Taking a break from true-crime documentaries (the Paradise Lost trilogy, among others), Joe Berlinger directed a narrative adaptation of Elizabeth Kendell’s book The Phantom Prince, about her relationship with the serial killer Ted Bundy.

My review of Berlinger’s Extremely Wicked, Shockingly Evil and Vile, running now on Netflix, was published at Eyes Wide Open:

Of all the serial killers who entered the lexicon of American culture over the past half-century, Ted Bundy, who confessed to over two-dozen murders committed in the 1970s and was executed in 1989, remains something of a standout. The likes of the Zodiac Killer, Jeffrey Dahmer, or Dennis Rader (aka the BTK) have shocked for many reasons, most particularly their depravity and ability to elude capture. Bundy, or at least the legend of him, followed a different trajectory…

Here’s the trailer:

Screening Room: ‘Fyre’

Fyre was supposed to be the great music festival of 2017. Instead it turned into a social media schadenfreude disaster. Now Chris Smith (of American Movie fame) made a documentary out of it. Sometimes we get lucky that way.

Fyre opens in limited release and will be available on Netflix this Friday.

My review is at Slant:

The video ads for the Fyre Festival looked amazing when they first rippled through the Instagram feeds of influencer models like Bela Hadid and Emily Ratajkowski in late 2016. For a certain kind of status-seeker, marooned somewhere cold and just waiting for the next warm-climate EDM gathering, the marketing for the music festival promised a bro heaven populated only by models…

Here is the trailer:

Screening Room: ‘Bird Box’

Bird Box

The latest movie from Susanne Bier (The Night Manager) is a postapocalyptic horror story starring Sandra Bullock and John Malkovich.

Bird Box is playing now on Netflix.

My review is at Slant Magazine:

Needing to avoid psychotic zombies isn’t the only danger faced by the harried survivors of an unspecified pandemic at the start of director Susanne Bier’s adaptation of Josh Malerman’s novel Bird Box. The hard-as-nails Malorie (Sandra Bullock) and her two five-year-old wards must also manage navigating a postapocalyptic wilderness while wearing blindfolds. Oh, and they’re in a boat on a fast-running mountain river with rapids approaching. Also, they’re threatened by invisible monsters who can only be spotted when nearby birds start chirping and who cause instant suicidal tendencies in those who look their way. Things aren’t looking good for the trio…

Here’s the trailer:

Screening Room: ‘The American Meme’

Paris Hilton and Josh Ostrovsky (aka @thefatjewish) in ‘The American Meme’ (© Bert Marcus Productions)

The new documentary The American Meme isn’t really about memes, it’s about people who either make their living on social media or just spend far too much time there (Paris Hilton, DJ Khaled, etc.). It’s available on Netflix this Friday.

My review is at Eyes Wide Open:

[Marcus] mixes big sprays of social media content, from jabbing comedy videos to jealousy-inducing lifestyle-porn stills, with influencer interviews. The results cover the gamut from self-congratulatory spin (the social media-drenched DJ Khaled, who seems hell-bent on turning his existence into a bling-encrusted Truman Show) to self-immolating destructive toxicity (onetime photographer turned misogynistic party-dude troll Kirill Bichutsky, aka @slutwhisperer). It’s a glitzed-up ugly slew of fetishized consumerism and champagne-splashed Girls Gone Wildness, all captured in the hope that somebody out there will drop their thumb over the Like button before wandering deeper into the wilds of the Internet…

Here’s the trailer:

Screening Room: ‘Hold the Dark’

In Jeremy Saulnier’s bleak and bloody adaptation of William Giraldi’s bleak and bloody novel, a naturalist investigates the apparent killing of children by wolves in Alaska, only to encounter some far more dangerous creatures.

Hold the Dark is playing now in limited release and on Netflix. My review is at Film Journal International:

Jeffrey Wright never shows up to deliver good news. It would be nice if someday soon he gets to show up in a Judd Apatow movie. Suffice it to say that when Wright appears at a woman’s doorstep in Jeremy Saulnier’s gruesomely bleak Hold the Dark, it’s not to deliver a check from Publishers Clearing House…

Here’s the trailer: