Writer’s Desk: Things to Write in the New Year

Nobody likes New Year’s resolutions, least of all writers. Setting out a list of things you need to do in the next twelve months can just feel like a list of things you will forget to do. We should never forget the unique joy that comes with not doing, per the great Douglas Adams:

I love deadlines. I like the whooshing sound they make as they fly by.

Nevertheless, January is not a bad time for new thinking. The holidays are past. Work is back. The nights are long. There are too many new streaming shows to commit to. Maybe you’re dissatisfied with what you wrote last year. It’s worth thinking about trying something different.

To wit:

  • Poem. It can be (and, let’s be honest, almost certainly will be) a bad poem. But if you are not used to it, the form and the choices it forces you to make are excellent training. This can be like stretching for writers.
  • Autobiographical essay. Write five pages about something that happened in your childhood that you never told anybody about. It doesn’t need to be anything earth-shattering or more consequential than a memory of a favorite toy. Write it so that some aspect of your life can make sense to another person.
  • Joke. Standup comics riff on stage but they also painstakingly craft jokes beforehand. Write three jokes. Tell them to people. See what lands and what doesn’t. Revise.

Try none or all of these. The point is to do something that is unfamiliar. I spent the last many months in multiple nonfiction book projects. Once done with those, I will be trying to give fiction another shot. Most likely, it will never see the light of day. But then most of what we make never does.

The trying is the point. Keep trying.

Writer’s Desk: Do the Best You Can

Print by Dave Eggers (McSweeney’s Store)

One of those leading lights of the bookish world, Dave Eggers can always be counted on say the true thing and to identify what matters about this art, business, and life of word making that some of us have committed ourselves to.

Eggers was interviewed by The Harvard Advocate back in 2000, before McSweeney’s really hit its stride and he was still considered an enfant terrible, one of those tongue-in-cheek Gen Xers who wouldn’t know sincerity if it was an ad that came on during The Real World. But in a voluminous reply, Eggers put his cursor on what really makes it all worthwhile:

What matters is that you do good work. What matters is that you produce things that are true and will stand. What matters is that the Flaming Lips’s new album is ravishing and I’ve listened to it a thousand times already, sometimes for days on end, and it enriches me and makes me want to save people. What matters is that it will stand forever, long after any narrow-hearted curmudgeons have forgotten their appearance on goddamn 90210. What matters is not the perception, nor the fashion, not who’s up and who’s down, but what someone has done and if they meant it. What matters is that you want to see and make and do, on as grand a scale as you want, regardless of what the tiny voices of tiny people say…

Make the best book, poem, screed, fan fiction that you can. And if somebody offers you a spot on a teen soap opera, by all means, take it.

The Best of 2025

Worried about not having enough to do in the long cold weeks after New Year’s? You needn’t worry. Here are some best-of lists I wrote or contributed to about the best films and books that came over the transom in 2025:

Writer’s Desk: Be Honest, But Within Reason

In the preface to his pointedly titled Unreliable Memoirs, critic Clive James laid out his approach to writing about oneself:

Most first novels are disguised autobiographies. This autobiography is a disguised novel. . . . So really the whole affair is a figment got up to sound like truth. All you can be sure of is one thing: careful as I have been to spare other people’s feelings, I have been even more careful not to spare my own. Up, that is, of course, to a point…

You want to be honest with the reader. That’s where the good stuff is. But at the same time, remember to hold things back. That’s where the artistry is. It’s a memoir, not therapy.

Writer’s Desk: Let Yourself Go

Even though the late, great playwright and script doctor Tom Stoppard was known for dense, gorgeously ornate works that tangled with politics, philosophy, physics, and eternity, he did not go in for self-examination or navel-gazing.

Instead, he once told The Guardian, he preferred just letting himself rip on the page:

A writer ought to be the best possible source about their work, but the writing instinct doesn’t come out of self-examination. That part of yourself in your work is expressed willy-nilly, without your cooperation, motivation or collusion. You can’t help being what you write and writing what you are…

Writer’s Desk: Get a Cat

Per one of the characters in Muriel Spark’s A Far Cry from Kensington, concentration correlates to having a cat around:

Alone with the cat in the room where you work, I explained, the cat will invariably get up on your desk and settle placidly under the desk-lamp.  The light from a lamp, I explained, gives a cat great satisfaction. The cat will settle down and be serene, with a serenity that passes all understanding. And the tranquility of the cat will gradually come to affect you, sitting there at your desk, so that all the excitable qualities that impede your concentration compose themselves and give your mind back the self-command it has lost. You need not watch the cat all the time. Its presence alone is enough. The effect of a cat on your concentration is remarkable, very mysterious…

Reader’s Corner: ‘Blank Space: A Cultural History of the 21st Century’

I reviewed Blank Space, which is not a Taylor Swift song but the new “Cultural History of the 21st Century” from the insightful and ever-cranky W. David Marx (Status and Culture) for the Minnesota Star-Tribune:

The phrase “Time is a flat circle” often refers to how the manic post-pandemic news cycle makes comprehension of the recent past impossible. A similarly dazed bafflement is explored in W. David Marx’s lucid and entertaining —yet despairing — book about the new millennium’s flattening of culture…

Writer’s Desk: Building Your Book

The books of Mark Z. Danielewski (House of Leaves, especially) are complex, dense, and thrillingly visual. He tells BOMB that his process is a lot like construction:

Writing is so much about laying down brick after brick, and yet you can’t just stack bricks, because then you’re making a tomb. There has to be this mortar, and that mortar, as we can see for ourselves, right now even, is the space between words…

Writer’s Desk: Coffee, Roaming, and TV

Patti Smith on her morning writing routine:

I get up and if I feel out of sorts I’ll do some exercises. I’ll feed my cat, then I go get my coffee, take a notebook, and write for a couple of hours. Then I just roam around. I try to take long walks and things like that, but I just kill time until something good is on TV…

Good ideas come when walking. Or watching shows, preferably ones with detectives. Thinking of better ways you could have solved the crime might be self-flattery but it also gets ideas percolating.

Screening Room: ‘Ballad of a Small Player’

My review of the latest confection from Edward Berger (Conclave) is at Slant Magazine:

Ballad of a Small Player is a fevered, neon-drenched film about a man on the run from his crimes and himself, and it wants to simultaneously revel in the glamor of high-end gambling and critique the unending gluttony that fuels it. This isn’t an unusual tack for Berger, as his All Quiet on the Western Front has a similarly confused relationship to the industrial violence that it lasciviously depicts. But this film, adapted by Rowan Joffe from Lawrence Osborne’s 2014 novel of the same name, is all about the possible spiritual redemption of spiraling gambler Lord Doyle (Colin Farrell), and its ambivalent perspective on the greed and glitz of his world makes it difficult to invest much care in what happens to him…

Ballad of a Small Player will be available on Netflix tomorrow. Here’s the trailer:

Writer’s Desk: Get Yourself an Office

Alain de Botton (The Consolations of Philosophy) had a problem, as many do, with insomnia and focus. So he decided to go to work at an office. It allowed him to escape:

 One of the most welcome aspects of office work is that you do not need to be fully yourself. It demands that those who participate in it behave “professionally”, which means that you are not asked to bring the entirety of your character to the fore…

As a result, he could bear down, put certain thoughts away, and get to writing:

It can be the greatest freedom, sometimes, to have to repress some of what you are. I sit quietly for hours. I’ll have a sandwich at the desk. I can’t sink into despair, scream or act all poetic: other people are watching. At the office, there’s a chance to edit yourself, thankfully. That’s why I go there…

Screening Room: ‘The Fence’

I reviewed the new Claire Denis film The Fence at this year’s New York Film Festival for PopMatters:

It is unclear where Alboury, the character played by the great Isaach De Bankolé in Claire Denis’ scorching, powerfully mythic new film The Fence, works or lives. It is not even clear if he is a corporeal person or some apparition generated by history and the murmurings of the unquiet dead…

The Fence does not have a U.S. release date set.

Shameless Self-Promotion: ‘The Writer’s Year 2026’ on Sale Now

The second edition of my calendar for Workman, The Writer’s Year: 365 Days of Inspiration, Prompts, and Quotes is now on sale! Think of it when shopping for that friend or relative who has always talked about being a writer but needs a push. Or take a look when stalled on your own project (shopping for writing calendars is a superb procrastination technique).

Each day of The Writer’s Year comes with a bit of inspiration from a great author, like this from Leslie Jamison:

With each project, you eventually have to surrender the perfect version of the work to make room for what you actually create.

There are also exercises to get the words flowing:

Start a flash fiction story (300–1,000 words) with this line: “Down the slope and across the valley they rode.”

And also stories about how writers overcame an obstacle or lack of confidence:

Comedian, essayist, and all-around exemplar of drollery Stephen Fry was once three chapters into a new novel, Revenge, when he found himself in a “pickle.” He realized too late that the story he was so pleased with was quite similar to The Count of Monte Cristo. Fry calmed down once he discovered that Alexandre Dumas’s storyline was reworked from a popular contemporary urban legend. Happy that “Dumas pinched the story, too,” Fry went ahead and finished his book, changing his character names to anagrams of Dumas’.

Buy it now from Workman, Barnes & Noble, Amazon, or your local indie.