Department of Lexicography: Tolkien Edition

tolkien1Several years before hobbits were a gleam in J. R. R. Tolkien’s eye, he was deeply involved in another massive literary undertaking: The Oxford English Dictionary. Tolkien worked on the OED staff from 1919 to 1920, concentrating primarily on words in the “W” section. (The image of the tweedy young scholar beavering away at his obscure assignments at the dawn of the Jazz Age calls to mind an Oxbridge version of Ball of Fire; only sans Barbara Stanwyck.)

According to Peter Gilliver of the OED, Tolkien was put on to certain words — like walnutwalrus, and wampum — particularly because of their difficult etymologies:

Other words, such as waistcoatwake (noun), wan, and want, posed rather different challenges. Teasing out fine distinctions of meaning is a key part of a lexicographer’s job, as is the selection of words to convey precisely the connotations, as well as the simple meaning, of a word: Tolkien evidently took great pains over both. He relished the task of distinguishing the different garments denoted at different times by waistcoat (as he later grew to relish the garment itself) … His biggest challenge, however, must surely have been want, one of the commonest of all verbs, which eventually required nearly thirty separately defined senses and subsenses.

tolkien2Many years later, an editor at the OED who had been a student of Tolkien’s wrote asking for his opinion on the definition of a new word gaining popularity: hobbit. Tolkien happily obliged. Mithril and orc are now also ensconced in the dictionary as well.

Department of Cinematic Complaints: Perceived Biases Edition

dinesh1It was bad enough that the semi-scholar Dinesh D’Souza put his efforts behind a particularly seamy piece of Andrew Breitbart-ish video propaganda disguised as a documentary about Barack Obama. (This still from 2016: Obama’s America shows Dinesh intrepidly scouring the globe for clues to the president’s ignominy.)

Then came this:

…the makers of the documentary 2016: Obama’s America were peeved that the Academy of Motion Picture Arts and Sciences’ shortlist of Oscar-contending documentaries didn’t include their film. The articles notes that 2016 was a surprise hit that pulled in over $33 million, a staggering amount for a nonfiction film and more than the 15 documentaries have made combined.

My post about this “controversy” is at Short Ends & Leader.

Department of Awards: ‘Zero Dark Thirty’ Best Film of 2012?

zerodarkthirty1This afternoon, the New York Film Critics Online (an august group that I am glad to be a member of) announced their awards for films released in 2012. Zero Dark Thirty, Kathryn Bigelow’s film about the hunt for Osama bin Laden, led a fairly scattered pack, with three awards. Steven Spielberg’s biopic Lincoln and debut filmmaker Benh Zeitlin’s magic-realist Beasts of the Southern Wild were tied at two awards each.

Herewith the full list:

  • Picture – Zero Dark Thirty
  • Actor – Daniel Day-Lewis, Lincoln
  • Actress – Emmanuelle Riva, Amour
  • Director – Kathryn Bigelow, Zero Dark Thirty
  • Best Supporting Actor – Tommy Lee Jones, Lincoln
  • Best Supporting Actress – Anne Hathaway, Les Miserables
  • Breakthrough Performer – Quvenzhane Wallis, Beasts of the Southern Wild
  • Debut Director – Benh Zeitlin, Beasts of the Southern Wild
  • Ensemble Cast – Argo
  • Screenplay Zero Dark Thirty
  • Documentary – The Central Park Five
  • Foreign Language – Amour
  • Animated – Chico and Rita
  • Cinematography – Life of Pi
  • Film Music or Score – Django Unchained

This gives Bigelow’s war film an early lead in the oddsmaking for Oscar contention (and for good reason, despite whatever idiot musings come from Bret Easton Ellis these days), as the NYFCO joins other critics groups like New York Film Critics Circle, National Board of Review, and the Boston Film Critics Society in naming it film of the year. Of course, that still leaves plenty of time and other awards to allow early favorites like Les Miserables and Argo to make up some room.

Department of Reading: Pete Townshend, Book Guy

whoami1Besides smashing guitars and banging out beautiful noise on world stages for the past few decades, The Who’s Pete Townshend is something of a reader. This would be surprising in and of itself, classic rock gods not being known for their love of cozying up with a good read, but Townshend (who, after all, did create an entire rock opera around a Ted Hughes poem) takes his appreciation of literature a little further.

According to this interview from the New York Times, Townshend could be termed something of a book nerd. When asked for his likes and dislikes, the list is truly comprehensive, ranging from Les Miserables and Scandinavian crime fiction to lesser-knowns like William Boyd and Paul Hendrickson. He also opened up his own bookstore a few years ago, called Magic Bus.

But get this: Pete Townshend even worked in publishing as an acquisitions editor for the London house Faber & Faber:

That was the best job I ever had. I had lunch with the old chairman, Matthew Evans, this week, and we both went dewy-eyed about the old days. He’s in the House of Lords trying to stay awake, and I’m pounding stages like an aging clown.

Some people like books and others have a passion for books. It seems safe to say that Townshend is the latter.

 

Department of Holiday Poetry: ‘The Nightmare Before Christmas’

nightmarebeforexmas1Back in 1982, when Tim Burton was an animator at Disney and directing a movie with Pee-Wee Herman was still years away, he wrote a little poem called The Nightmare Before Christmas. Years later, long after the stop-motion animated film version became an alt-parental favorite for pre-goth kids everywhere, this video was made of Christopher Lee (i.e., embodiment of stern-voiced evil as Saruman, Count Dooku, and many iterations of Fu Manchu) reading the poem itself.

The holidays are nearly upon us; enjoy:

New in Theaters: “Bones Brigade: An Autobiography”

The best sports-as-life documentary of the year, and a great story to boot, Stacey Peralta’s Bones Brigade: An Autobiography is playing now in pretty limited release. It should come to DVD and cable soon and is well worth seeking out.

My review is at PopMatters:

Stacey Peralta’s bright and curiously lovely new film takes up not longer after Dogtown and Z-Boys ends, with the dissolution of the Z-Boys. This time, the filmmaker puts himself front-and-center in the interviews that provide a spine for a stream of old VHS skate footage and faded photographs. As he tells it, Peralta refashioned himself as the ringleader for a new crew of bright young skateboarders. After co-forming the skate equipment company Powell-Peralta, which would serve as munitions factory for the sport’s underground resurgence in the 1980s, Peralta put together a squad of improbably talented and driven pre-teens he could mold into stars. Given that the roster included guys like Tony Hawk, Steve Caballero, and Lance Mountain, the feat that Peralta accomplished is something akin to discovering the entire Dream Team before they had even entered high school…

You can see the trailer here:

At the Movies: ‘Skyfall’

If you’ve already seen Lincoln and aren’t quite yet ready to jump into the awards-race movie derby currently racing through cinemas, it might be time to check out the new Sam Mendes Bond flick:

Whatever romanticism was left in the hoary old Bond franchise, in Skyfall Judi Dench’s M does her best to put a bullet in it. The standard opening chase sequence sends James Bond (Daniel Craig) on a motorbike over the roofs of the Grand Bazaar in Istanbul before putting him onto the top of a speeding train to do battle with an assassin who gunned down an MI6 agent and stole a datafile holding the identities of covert agents. First, M instructs Bond to leave his wounded cohort behind. Then, since agent Eve (Naomie Harris) can’t get a clear shot to take out the assassin without also risking hitting Bond, M tells her to fire away anyway. Result: one big bloody hole in Bond’s trim suit coat and one escaped assassin…

Skyfall is playing everywhere now; you can read my full review at PopMatters.

You can see the trailer here:

Trailer Park: ‘On the Road’

There are just under a million ways that a film of Jack Kerouac’s On the Road could go wrong. And not just wrong but bad in an eye-rollingly painful manner. That being said, there are few people one would trust more on such a windy and spacious piece of work than Walter Salles, who showed with The Motorcycle Diaries how to turn the personal and rambling into something epic and transformative.

So: on the plus side: Salles directing, Coppola producing, and Viggo Mortensen as Old Bull Lee (William S. Burroughs, who the ever-tricky and extra-literate Viggo seems born to play). On the con side: the appearance of the ever one-note Kristen Stewart, and a previously quite morose Sam Riley playing the ebullient force-of-life Sal Paradise.

In any case, the film opens late in December and we’ll see then. Good luck, folks.

You can see the trailer here:

At the Movies: Don’t Talk, Really

As anybody who has gone to a movie in the theater in the last few decades can attest, the whole “no talking” thing has never been completely adopted by the larger population. Some people, in fact, seem to view exercise of going to the movie theater as no different from watching TV at home with family and friends. Different strokes.

All theaters make some pretense of telling people to be quiet and turn off their phones. But nobody is as hardcore about it as the Alamo Drafthouse in Austin, Texas. The Alamo (which is now starting to expand around the country) has long been an oasis of film fandom, with their mix of deep repertory selections, cult classics and smartly curated second-runs—not to mention a great menu and beer selection.

They also really don’t like talkers and texters, bless their hearts. As can be attested to here:

New in Theaters: ‘Anna Karenina’

Having detoured from tasteful literary adaptations like Pride & Prejudice into techno-scored mayhem with last year’s killer Hanna, Joe Wright is now back in the classics biz, with a Tom Stoppard-scripted take on Anna Karenina, which opens Friday.

My review is at Film Journal International:

All the world’s a stage in this highly self-aware yet free-flowing take on Tolstoy’s great novel of doomed romance and the thorny collision of ideals with the world of real humans. Joe Wright’s exciting take will divide audiences, but for those who go along for the ride, they’ll thrill at how it blows their hair back. Instead of moving from one stately mansion to the next, Wright sets most of his scenes inside the same grand but vaguely decrepit theatre, with obvious backdrops and stage props, adding music and elaborate choreography to further stylize the action. It can be read as a statement on the highly artificial world that the Russian aristocracy had entrapped itself in, circa 1874, or a device heightening the novel’s already potent melodrama…

You can see the trailer here:

DVD Tuesday: ‘Brave’

The newest Pixar film doesn’t have much in the way of cute animals, toys, or Randy Newman songs, but it does feature witches and some fancy archery, so that’s something. My review of Brave is at Film Journal International:

With a sterling roll call of British Isles vocal talent and some of the most lush and limpid animation to be found on screens this year, Pixar’s Brave is a feast for the eyes and ears, if not always the mind. Aimed more squarely at the younger set than many of their more adventurous fantasy outings like Wall-E, it’s a just-clever-enough take on an age-old and very classically Disney setup about a child and parent’s estrangement and rapprochement…

Brave is available today on DVD and Blu-ray.

You can see the trailer here:

 

Things That Are Terrible: Big Wheels, Redux

Since apparently Gen X, Gen Y, and possibly even Millennials didn’t have enough childish things to be getting obsessively retro about, now there is actually something of a market for adult-sized Big Wheels. According to the Wall Street Journal:

Mr. Armbruster, 44 years old, is the founder and sole employee of High Roller USA, a manufacturer of adult-size low-riding trikes that he runs out of his Lafayette, Colo., home. Unlike the plastic trikes of his youth, the High Roller has a steel frame, costs $600 and is designed for people who change diapers instead of wear them.

…In addition to High Roller, there are at least two other upstart companies making adult versions. One of them, Urbantrike, makes several adult trikes including a model that has a textured tire for riding in dirt and a lowrider that has shiny aluminum wheels that are perfect “for tailgating parties.”

There has been an annual Big Wheel race down Lombard Street for a few years now. This makes sense in a way, because A) It’s San Francisco, and B) It happens maybe once a year. After all, even unicycling is acceptable when done once a year and likely under the affects of alcohol.

But when companies are advertising high-end “trikes” for the adult market (featuring racers in helmets no less) that retail for hundreds of dollars, something seems to have gone horribly awry. It calls to mind The Onion headline from a few years back about the bar-owner who couldn’t believe he actually sponsored an adult kickball team.

Judging Books by Their Covers

To some extent, we all place judgments on a book’s contents based on the cover design. It’s inevitable and expected—if it wasn’t the case, then publishers would just print books with plain bindings with the titles laid out in sans-serif type. (Sometimes they do just that and it’s called minimalist, so go figure.)

Another pleasing aspect of book cover design is that they allow one to painlessly peruse the works of many authors without having to actually, you know, read anything.

To that end, the good folks at Jacket Copy put together a nifty gallery of some of their favorite new book covers. Some of the selections are less than inspired (the cover for Daniel Smith’s Monkey Mind seems far too obvious, for one), but at least three or four are nothing short of incredible.

 

New in Books: ‘The Story of America’

Those truisms quoted today from Ben Franklin? Not meant to be taken seriously. Voting anonymously with paper ballots at polling places free of violence? Unheard of in America until 1890. This and more discussed in Jill Lepore’s new book The Story of America:

When in doubt about your thesis, cover the spread and present everything as a variegated tapestry of humanity. Sometimes this can serve as a neat dodge for a potentially failed project, better than trying to shoehorn everything into an explanation that doesn’t quite hold water. Depending on the richness of your material, this can be either a rag-and-bone shop of leavings (usually subtitled “sketches” or “impressions”), or a rich panoply of story that rattles and bursts with humanity. Even though it should fall in the former category, being mostly a collection of New Yorker articles, Jill Lepore’s wonderful The Story of America fits snugly into the latter…

The Story of America is on sale now at finer (and not so fine) bookstores everywhere; my review is at PopMatters.