Every now and again, a filmmaker is able to conquer the cinematic world with a work that might not have a lot to say (coherently, at least), but it throws enough at the viewer to send them away impressed and a little dazed. Last year’s version of that film was Paolo Sorrentino’s The Great Beauty, a bright and comic variation on Dante’s Inferno that doesn’t hold together in the light of day but seduced enough lovers of Rome and the high life to garner an Oscar nomination.
It’s still playing in arthouses across the land and likely will through the Academy Awards. My review is at PopMatters:
Spectacle is everything in Paolo Sorrentino’s fabulistic Roman candle The Great Beauty (La grande bellezza), and why not? He’s a grand visualist and ringleader of chaos whose talents might remind you of Fellini and Scorsese. Like those directors, however, his films can also suffer for lack of story. It’s almost as though the images come piling up one after another with such rapidity that a framework must be created for them, rather than the other way around. Whatever might have inspired The Great Beauty, it doesn’t come close to sustaining the resulting film. But what a show…
Here’s the trailer: