Tag: HBO

TV Room: ‘Mountainhead’

On By chrisbarsantiIn streaming, TelevisionLeave a comment

Jesse Armstrong’s new movie Mountainhead premieres on HBO May 31. I reviewed it for Slant Magazine:

By following Succession with another acid-singed comedy about a slightly different subset of 0.01 percenters, Armstrong is sticking to a kind of satire he knows well. Mountainhead’s tech bros have many pathologies familiar from the Roy family in Succession, but even though just two years have passed since that show’s finale, the landscape of wealth and power mapped by Armstrong has changed immensely—though it feels more like devolution than progress. Vicious and powerful as the Roys were, the bros of Mountainhead would have annihilated that old-tech clan’s business and net worth with the flick of an algorithm, followed by laughter…

Here’s the trailer:

Screening Room: ‘Escape from Kabul’

On By chrisbarsantiIn Film-Documentary, streamingLeave a comment

The new documentary Escape from Kabul premieres this Wednesday on HBO.

My review is at The Playlist:

Jamie Roberts’ terse, painfully precise documentary “Escape from Kabul” zooms right in on one episode—the massive last-minute airlift of Afghans and remaining American personnel from Kabul in August 2021—and never looks away, even when you might wish that it did. It’s a close-quarters kind of war film that moves in tight and leaves little room to breathe. This seems an appropriate stylistic decision for a movie that is mainly about tens of thousands of people trying to escape a country as it is being reclaimed by medieval fanatics whose promises of equitable treatment were not widely believed…

Here’s the trailer:

Screening Room: ‘The Janes’

On By chrisbarsantiIn Film-Documentary, streamingLeave a comment

The new documentary The Janes, which has been playing festivals and will start on HBO this Wednesday, is about the underground cadre of activists who helped women have safe abortions in pre-Roe v. Wade Chicago.

My review is at Eyes Wide Open:

A transmission from a foreign-feeling past that could yet also auger what is to come, The Janes is a disarmingly cool and matter-of-fact yet utterly crucial documentary about some of the most daring, radical, and largely unsung heroes ever put onscreen. Many books, movies, and articles have been produced about late 1960s and ’70s breed of grand-standing activists: the Weathermen’s amateur bomb-makers, Yippie pranksters, the Black Panthers’ parading fist-pumpers, and various would-be guerrilla cells staging bank robberies and kidnappings in a haphazard war on the Establishment. But while those theatrics dominated the headlines, the women activists of the Chicago-based Jane Collective pursued a quieter yet likely more impactful campaign for change…

Here’s the trailer:

TV Room: ‘The Invisible Pilot’

On By chrisbarsantiIn Film-Documentary, streamingLeave a comment

The new HBO documentary miniseries The Invisible Pilot starts on Monday.

My review ran at The Playlist:

Some jobs do not prepare you for much of anything else. Work as a barista and you will know how to make a great latte, perhaps with that cute little leaf in the foam, but that is it. Other jobs provide more marketable skills. The buzzy new three-episode HBO documentary series “The Invisible Pilot,” for example, reveals that being a crop duster was excellent training for anybody looking to set up shop as a drug smuggler. The skill sets are roughly the same—flying heavy loads, often in bad weather, low to the ground, and landing on rough ground—only, when the cargo is illegal drugs, the pay is quite a bit better…

Here’s the trailer:

Screening Room: ‘Judas and the Black Messiah’

On By chrisbarsantiIn Film - Awards, Film - NewLeave a comment

One of the most gripping films to premiere at Sundance so far this year is Judas and the Black Messiah, which details the extreme lengths the FBI and Chicago police went to in order to take down Black Panther leader Fred Hampton.

Judas will be in limited theatrical release and on HBO Max starting February 12. My review is at Slant:

Fierce but mournful, Shaka King’s Judas and the Black Messiah serves as testament to a brief and revolutionary flare that was snuffed out before it could take hold. Unfolding during the late 1960s, when the Black Panther Party’s Chicago chapter was besieged by law enforcement, the film is filled with the high drama one expects from tales of heroes cut down before their prime. But because the drama is split between the story of that hero and that of his betrayer, King’s film complicates the expected narrative of martyrdom…

Here’s the trailer:

Screening Room: ‘The Witches’

On By chrisbarsantiIn Adaptations, Books, Film - NewLeave a comment

Back in 1990, Nicolas Roeg directed a gruesome, jauntily black-humored adaptation of Roald Dahl’s The Witches. It had its flaws but … Anjelica Huston.

Robert Zemeckis’ new take for HBO premieres next week. And, well, Anne Hathaway… My review is at Slant:

For anybody arguing that the grand potential for boundary-breaking entertainment in 2020’s wide-open world of content-hungry streaming services has produced more mediocrity than anything else, Robert Zemeckis’s take on Roald Dahl’s dementedly fun short novel The Witches could serve as a key piece of evidence. While there are some elements to admire in this adaptation, particularly its being cast with mostly black performers, much of it falls into the category of Competent But Unnecessary Remake. In other words, another piece of family-friendly-ish content to fill the yawning hours of pandemic confinement…

Here’s the trailer:

Screening Room: ‘Charm City Kings’

On By chrisbarsantiIn Film - NewLeave a comment

Back in 2013, the documentary 12 O’Clock Boys looked at Baltimore’s subculture of daredevil dirt-bike riders. It was surprising, unpredictable, and utterly fresh. Now comes Charm City Kings, a nice-looking but somewhat muddled dramatic interpretation of the same landscape.

It hits HBO this Thursday. My review ran at Slant:

One segment where the bikers and onlookers crowd together for an impromptu street party and display of tricks draws on a long lineage stretching from Rebel Without a Cause to The Fast and the Furious (and if wheelie-popping dirt bikes are not incorporated into the Fast & Furious series at some point, then its producers are failing at their job)…

Here’s the trailer:

TV Room: ‘Lovecraft Country’

On By chrisbarsantiIn Adaptations, streaming, TelevisionLeave a comment

HBO’s latest entry into politically relevant genre adventure is Lovecraft Country, an ambitious and messy 10-part series that bites off far more than it can chew but deserves some applause for trying.

Lovecraft Country starts this Friday. My review is at PopMatters:

Based on Matt Ruff’s 2016 novel, it keeps one foot planted firmly in the real (Black characters trying to make their way in segregated 1950s Chicago) and another dipping into various pools of the unreal (sorcerers, Lovecraftian beasts, haunted houses). The combination makes sense more than it should, at least at first. That’s largely because while head writer Misha Green (Underground) is exquisitely aware of the ways race factors into nearly every aspect of its characters’ lives, she doesn’t allow that to define them entirely…

Here’s the trailer:

https://www.youtube.com/watch?v=dvamPJp17Ds

TV Room: ‘The Plot Against America’

On By chrisbarsantiIn Adaptations, TelevisionLeave a comment

In Philip Roth’s 2004 novel The Plot Against America, it’s 1940 and Hitler is rampaging across Europe. Only in America, Franklin Roosevelt is facing serious political competition: fascist sympathizer and popular hero Charles Lindbergh. A Jewish family in Newark, drawn in part from Roth’s childhood, starts realizing they may have to chose between fleeing to Canada or facing pogroms in New Jersey.

My review of HBO’s The Plot Against America, a six-part adaptation by David Simon (The Deuce, The Wire), ran at PopMatters:

in 1940, the idea of a white supremacist president in league with a fascist foreign power was hard for many to contemplate. Even a fully-fledged racist like Woodrow Wilson had not colluded with enemies abroad. And nobody truly imagined the likes of Donald Trump as president until The Simpsons Movie in 2007. It was a different time. The Wire was only in Season 3.

TV Room: ‘Watchmen’

On By chrisbarsantiIn Adaptations, Comics-Graphic Novels, TelevisionLeave a comment

watchmen1
Regina King as Sister Knight in ‘Watchmen’ (HBO)

Damon Lindelof’s wonderfully strange and deeply political Watchmen series is more interested in exploring the further ramifications of Alan Moore’s groundbreaking graphic novel than producing a faithful reenactment. It’s a high-risk move but one that appears so far to be paying off.

My article on Watchmen is at PopMatters:

The first episode, a direly ironic hour, kicks off in Tulsa during the 1921 massacre in which whites rampaged through the black neighborhood of Greenwood. Jumping to an alternate-historical 2019 Tulsa, Oklahoma, in which the racially-mixed police wear masks to protect their identity from a murderous white-supremacist underground called the Seventh Kavalry (for Custer’s unit decimated at Little Big Horn), the episode uses the massacre less as plot point and more as ominous overture…

Here’s the trailer:

Writer’s Desk: Write, Write, Talk, Write, Get Lucky

On By chrisbarsantiIn Books, WritingLeave a comment

Image result for Buffy the Vampire Slayer Season Eight buffy graphic novels

Among the many questions that young writers have, besides “How do you make a living at it?”, is what they should do and what should they read to help them hone their craft.
There is no good answer. But embedding yourself in an ecstatically committed community of writers or at least people who love writing is a good way to start.
It has been a long time since I dared reread any of the wish-fulfillment stories I scribbled in my lonely teenage notebooks, but I suspect if I did, they’d contain something a little like this: You’re a freewheeling political reporter on assignment on a ship in the middle of the Mediterranean, covering a tech conference full of Ukrainian models, when Joss Whedon calls and asks if you’ve ever thought of writing for television. Of course you have, but only in the way that you’ve thought of being an astronaut. Six weeks later you’re in California, sitting in your first writers’ room, on Whedon’s new sci-fi show for HBO, The Nevers, and it turns out that the evenings you spent at college arguing about Buffy with your best friends were a better use of your time than you realized…
Sometimes writers get lucky. Very lucky. But for that luck to mean something, they have to have spent years preparing. Even if that means spending years writing, debating, and absorbing cultish fan-fiction. Whatever it is, commit yourself totally. It helps to be prepared.

Screening Room: ‘The Inventor’

On By chrisbarsantiIn DVD - Television, Film - Festivals, Film - New, Film-DocumentaryLeave a comment

(Courtesy of Sundance Institute | photo by Drew Kelly)

The latest documentary from the ever-prolific Alex Gibney (Taxi to the Dark Side, Going Clear) digs into the dark, weird, and ultimately all-too-familiar story of a Silicon Valley entrepreneur who promised a miracle.

The Inventor premiered at this year’s Sundance Film Festival and will be broadcast this Monday on HBO.

My review is at Slant:

Elizabeth Holmes, the Steve Jobs-aping wunderkind who launched the radically innovative and radically deceptive blood-testing company Theranos when she was just 19, claimed to have a thing for Thomas Edison. Most inventors do. “I have not failed. I’ve just found 10,000 ways that won’t work.” This Edison quote is one that director Alex Gibney puts on the screen in his substantively hard-edged, if somewhat generically constructed, documentary The Inventor: Out for Blood in Silicon Valley, to remind his audience of at least one source from which the dogged Holmes drew her inspiration…

TV Room: ‘Fahrenheit 451’

On By chrisbarsantiIn Adaptations, Books, TelevisionLeave a comment

Michael B. Jordan in ‘Fahrenheit 451’ (HBO)

Indie director Ramin Bahrani (Goodbye Solo, 99 Homes) takes a detour into the land of splashy classic literature adaptations with his take on the great Fahrenheit 451, which premieres on HBO this Saturday.

My review is at The Playlist:

There’s a lot left out in this noisy and luridly shot but thin adaptation of Ray Bradbury’s novel. A prescient fable about the death of the imagination and individuality in the postwar war, it imagines a world where the houses have all been fireproofed and firemen race through nighttime streets looking for books to burn..

Here’s the trailer:

Screening Room: DOC NYC 2017

On By chrisbarsantiIn Film - Festivals, Film - New, Film-DocumentaryLeave a comment

The eighth edition of the DOC NYC film festival starts tomorrow. Among the 250-odd movies screening over about a week and a half are movies about Dutch nationalists, the Russian athletic doping conspiracy, high school dance teams, a cult leader named Father Divine, and CIA experiments with LSD (the last is Errol Morris’ killer four-hour epic Wormwood, image at bottom).

Tomorrow’s opening night movie is The Final Year, a behind-the-scenes look at the last year in office of President Obama’s foreign policy team (that’s them, above) which plays out with unexpected drama against the darkening shroud of Trump’s rocketing rise to the presidency. It’s getting released either later this year or in January and will show up eventually on HBO.

My preview of the goodies on show at DOC NYC is at Film Journal‘s Screener blog:

Today there seems to be a film festival for almost every taste and locality. In addition to the grand dames of the festival circuit like Toronto, Venice, Cannes and Telluride, with their red-carpet premieres and B-list stars getting A-list attention, there are more tightly focused cinematic gatherings, from Los Angeles’ Screamfest to the Ottawa International Animation Festival (both just what they sound like). So it can be refreshing to find a festival that simply wants to show as many amazing movies as possible…

More to follow next week.