Tag: Movies

Screening Room: ‘John Wick 3’

On By chrisbarsantiIn Film - NewLeave a comment
‘John Wick 3’: Keanu rides a horse in this one (Lionsgate)

The latest of the bonkers John Wick action series hits theaters this weekend. Is it better than Avengers: Endgame? Let me ask you this: is Keanu Reeves one of the Avengers?

My review of John Wick 3: Parabellum is at Slant:

At the end of another knock-down, drag-out pummeling in Chad Stahelski’s John Wick 3: Parabellum, the man with the samurai sword sticking out of his chest says to Keanu Reeves’s John Wick, “That was a pretty good fight, huh?” It’s a throwaway gag, the kind that action directors like to use for a breather after a particularly bruising melee. But it also comes off as something of a gloat—one of a few signs in the film that stuntman turned director Stahelski, for better and worse, is content to coast on a winning formula…

Here’s the trailer:

Screening Room: ‘Extremely Wicked, Shockingly Evil and Vile’

On By chrisbarsantiIn Adaptations, Film - NewLeave a comment
Lily Colins and Zac Efron in ‘Extremely Wicked, Shockingly Evil and Vile’ (Netflix)

Taking a break from true-crime documentaries (the Paradise Lost trilogy, among others), Joe Berlinger directed a narrative adaptation of Elizabeth Kendell’s book The Phantom Prince, about her relationship with the serial killer Ted Bundy.

My review of Berlinger’s Extremely Wicked, Shockingly Evil and Vile, running now on Netflix, was published at Eyes Wide Open:

Of all the serial killers who entered the lexicon of American culture over the past half-century, Ted Bundy, who confessed to over two-dozen murders committed in the 1970s and was executed in 1989, remains something of a standout. The likes of the Zodiac Killer, Jeffrey Dahmer, or Dennis Rader (aka the BTK) have shocked for many reasons, most particularly their depravity and ability to elude capture. Bundy, or at least the legend of him, followed a different trajectory…

Here’s the trailer:

Screening Room: Jackie Chan’s ‘Police Story’

On By chrisbarsantiIn Film - RepertoryLeave a comment

Jackie Chan cemented his hold on the Asian box office with the launch of his high-kicking cop movie series in 1985. Starting today, Police Story and Police Story 2 are getting a limited theatrical re-release in advance of the launch of their remastered editions in the Criterion Collection.

My review is at PopMatters:

Sporting the same shaggy mop of hair and the slightly bemused look of a sleepy John Cusack, Jackie Chan rolls into 1985’s Police Story like some kid fresh out of the Peking Opera School and not a pro who had already been working in the Hong Kong film industry for over 20 years. It’s part of the reason why attempts in the previous decade to turn him into the new Bruce Lee never quite worked…

Screening Room: ‘The Lego Movie 2: The Second Part’

On By chrisbarsantiIn Film - NewLeave a comment

For anybody who is keeping track, The Lego Movie 2: The Second Part opens wide next week.

My review is at Slant:

Instead of the inside-out lampooning of the type of monomaniacal industrialized chirpiness epitomized by the first film’s earwig theme song “Everything Is Awesome,” the mood is now mock-dystopian, with Bricksburg now known as Apocalypseburg. There’s good fun to be had at the expense of Mad Max: Fury Road and its grim-faced ilk. Similarly, the series continues to poke fun at adolescent “dark” genre material with its deep seam of Batman gags. But, unfortunately, there’s also a plot and that’s where The Lego Movie 2 goes wrong …

Here’s the trailer:

Screening Room: ‘Monsters’

On By chrisbarsantiIn Film - RepertoryLeave a comment

My essay “Monsters Built the Mexico Wall Trump Never Will” was published at Eyes Wide Open:

What kind of movie will best describe the Trump presidency for future generations? Will it be high-minded drama replete with sarcastic asides, soaring speeches, and a grand view of the arc of history ala Aaron Sorkin? Maybe trashy overkill gutter-punk in the vein of John Waters or Bobcat Goldthwait would be more appropriate. How about a monster movie? Better yet, one with an extremely obvious yet potent visual metaphor that predated the current catastrophe? If the latter, then 2010’s Monsters might be a good place to start…

Screening Room: ‘Fyre’

On By chrisbarsantiIn Film - New, Film-DocumentaryLeave a comment

Fyre was supposed to be the great music festival of 2017. Instead it turned into a social media schadenfreude disaster. Now Chris Smith (of American Movie fame) made a documentary out of it. Sometimes we get lucky that way.

Fyre opens in limited release and will be available on Netflix this Friday.

My review is at Slant:

The video ads for the Fyre Festival looked amazing when they first rippled through the Instagram feeds of influencer models like Bela Hadid and Emily Ratajkowski in late 2016. For a certain kind of status-seeker, marooned somewhere cold and just waiting for the next warm-climate EDM gathering, the marketing for the music festival promised a bro heaven populated only by models…

Here is the trailer:

Department of Lists: 2018 Edition

On By chrisbarsantiIn Books, Comics-Graphic Novels, Film - New, Graphic Novels, Omnicultural, Omnium GatherumLeave a comment
(image by KangZeLiu)

Since it’s the end of the year, and there’s only so much champagne one can drink while watching Andy Cohen/Anderson Cooper and hoping that 2019 will show 2018 how things should have gone, it’s time to look back at some of the best that the year that was had to offer.

To that end, I contributed some pieces to a few different publications who make a point of cataloging this sort of thing:

Now you’ll have something to do this January besides catch up on new TV shows and ignore your dieting pledges.

Screening Room: Best Movies of 2018

On By chrisbarsantiIn Film - AwardsLeave a comment
‘The Death of Stalin’ (IFC Films)

Now that we’re almost to January, it’s time to take a look back at the year that was, movie-wise. My accounting of the best movies to hit screens, big and small, in 2018, was published at Eyes Wide Open:

The more things changed at the movies in 2018, the more they stayed the same. The year’s biggest box office hit was Marvel’s Black Panther, which finally smashed the old rule that white actors were required to head up superhero stories. Crazy Rich Asians proved that perfectly mediocre romantic comedies (which should not be taken as a criticism, it’s been a moribund genre for a while) didn’t require white casts for relatability; glossy shopping montages and feisty showdowns between a bride-to-be and her fearsome future mother-in-law translate across all cultures…

Screening Room: ‘Fantastic Beasts: The Crimes of Grindelwald’

On By chrisbarsantiIn Adaptations, Film - NewLeave a comment
Eddie Redmayne in ‘Fantastic Beasts: The Crimes of Grindelwald’ (Warner Bros.)

The second entry in J.K. Rowling’s post-Harry Potter Wizarding World movies, the Newt Scamander series, is opening everywhere tomorrow.

My review is at Slant Magazine:

The fun but more predictable Fantastic Beasts: The Crimes of Grindelwald moves the new series forward, but only incrementally—all the better to maximize the potential for six or seven more sequels to be strung out for Thanksgivings to come…

Here’s the trailer:

Screening Room: A Little ‘Venom’ Goes a Long Way

On By chrisbarsantiIn Comics-Graphic Novels, Film - New, UncategorizedLeave a comment

Tom Hardy in Venom (2018)

A hybrid superhero-antihero misfire that wastes Tom Hardy in a should-have-been great role, Venom is somehow even less fun than when he played both Kray twins a few years back in the London gangster epic bomb Legend.

Venom is playing now pretty much everywhere. My review is at Film Journal International:

There are plenty of characters from the Spider-Man universe who could manage having a movie all to themselves. Eddie Redmayne as the Green Goblin. Maybe Tilda Swinton as a gender-reversed Doctor Octopus; just imagine the goggles. In theory, Venom should be perfectly able to handle a story all on his own. Despite serving as a somewhat weak anti-Peter Parker in the mostly forgotten Spider-Man 3, the ravening parasitic alien being seems like a perfectly good villain to set loose on an unsuspecting world…

Nota Bene: Film Forum Reopens

On By chrisbarsantiIn Film - RepertoryLeave a comment

August is here and, just in time, Film Forum has reopened after a long-overdue renovation. The place is almost a half-century old. “Not bad” (as their website notes) “for a scrappy non-profit that started with 50 folding chairs and a 16mm projector the size of a breadbox.”

More than just another arthouse, Film Forum is one of the last standing temples of American cinephilia, the sort of place that can mix obscure spaghetti westerns and avant-garde documentaries with an Andrei Tarkovsky retrospective and the latest in Iranian or South Korean cinema without missing a beat. Plus, the popcorn is amazing, even sans butter.

The Times published some recollections about Film Forum, from filmmakers like John Turturro to Christopher Nolan. Ramin Bahrani (99 Homes) speaks for many cinephiles’ aching backsides:

Their renovations sound wonderful, because, yes, we all know, their seats were a little uncomfortable and the sightlines were not ideal — but their programming was so impeccable that we went anyway.

Screening Room: ‘Eighth Grade’

On By chrisbarsantiIn Film - NewLeave a comment
Elsie Fisher in ‘Eighth Grade’ (A24)

My review of Bo Burnham’s Eighth Grade is at PopMatters:

Unlike most movies about school-age outsiders, Eighth Grade doesn’t rely on the traditional dramatic tropes of embarrassment and rebellion. Kayla wants desperately to have friends. Like most shy kids, she’s paralyzed in social settings. But unlike most shy kids, she pushes herself past that cocoon of diffident silence. First are her videos, which, you get the impression, are as much for herself as for anybody who might be come across her YouTube channel. This is a girl whose bedroom mirror is ringed with motivational quotes scribbled onto Post-It notes. (“Learn a joke every day!”) But also, instead of always hanging back on the periphery, occasionally she jumps…

Here’s the trailer:

Screening Room: Summer Movie Sequels

On By chrisbarsantiIn Film - NewLeave a comment

My essay on the ever-more sprawling world of movie franchises, “Sequel Summer: Deadpool Fights Thanos in Jurassic World,” is at Eyes Wide Open:

After banking a billion-plus revenue from Black Panther, Disney kept the Marvel machine humming with the late April release of Avengers: Infinity War. The first half of an apocalypse two-parter, this was less a standalone movie than a short-attention-span episode of a long-running series that was running out of ways to keep engineering conflict. Infinity War: Part One didn’t even bother establishing itself as a standalone movie like Black Panther did. It just dumped every available Marvel hero into a Battle Royale against Thanos, a big dull dud of a genocidal villain, and made sure to string it out to next summer’s sequel. Spider-man, Doctor Strange, the Hulk, Thor, and Nick Fury? Sure! How about Guardians of the Galaxy, too? Why not?…

Screening Room: ‘First Reformed’

On By chrisbarsantiIn Film - NewLeave a comment
Ethan Hawke in ‘First Reformed’ (A24)

In Paul Schrader’s latest, First Reformed, a minister finds more to believe in an eco-activist’s radicalism than his own pulpit.

My review is at PopMatters:

Ethan Hawke at his most pained plays the Reverend Toller. Minister for a tiny museum of a church in upstate New York that’s about to celebrate its 250th anniversary, he’s at the tail-end of a years-long spiritual crisis. By the time the movie catches up to this nearly cadaverous penitent, Toller has already lost his son to the Iraq War, his wife to divorce not long after that. He writes in a journal each night, bottle of whiskey at his side…

Screening Room: ‘Isle of Dogs’

On By chrisbarsantiIn Film - NewLeave a comment

Featuring all the usual suspects (Bill Murray, Tilda Swinton, Edward Norton) plus Bryan Cranston, a lot of dry canine humor, and truckloads of Japanese cultural references from taiko drumming to Akira Kurosawa flicks, Wes Anderson’s Isle of Dogs is, well, the sum total of all those parts.

Isle of Dogs is playing now. My review is at Eyes Wide Open:

Looking at Wes Anderson’s career arc is like flipping through the passport of one of your better-traveled friends. There are his stories of neurotically creative New York (The Royal Tenenbaums) and emotionally stunted New England (Moonrise Kingdom). Then you have his further flung locations ranging from the tripped-out sun-stroked Mediterranean (The Life Aquatic with Steve Zissou) to a romantic postcard India (The Darjeeling Limited) and the imagined semi-historical locales of wartime Mitteleuropa (The Grand Budapest Hotel) and storybook British Isles (Fantastic Mr. Fox). Now, with his densely-layered but somewhat stillborn quasi-apocalyptic canine adventure fantasy Isle of Dogs, Anderson has finally crossed the Pacific to Japan. It’s only a matter of time before he gets to Australia. His kangaroos will most likely be highly droll…

Here’s the trailer: