Category: Film-Documentary

Screening Room: ‘City of Ghosts’

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The latest documentary from the director of Cartel Land, City of Ghosts is opening this week in limited release and expanding wider later. Expect a push for the Oscars later in the year for this incredible story.

My review is at Film Journal International:

The heroes of this riveting account are the brave men—they have woman in their number, but none are onscreen for their safety—of the group Raqqa is Being Slaughtered Silently (RBSS). These are mostly middle-class guys, including a math teacher and a film buff, who started documenting what was happening to “our forgotten Syrian city on the Euphrates that has become a city of ghosts…

Here is the trailer:

Screening Room: AFI DOCS Film Festival

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Last Wednesday through Sunday, Washington, D.C. hosted the AFI DOCS Film Festival, one of the country’s top showcases for nonfiction movies. Many of the documentaries screening there will be opening throughout the country in the coming weeks and months, with at least a couple likely Oscar nominees among the batch. A few of the highlights:

  • Nobody Speak: Trials of the Free Press (Brian Knappenberger) — A taut and alarming look at how the entrenched interests of certain wealthy millionaires (Peter Thiel, Sheldon Adelson, Donald Trump) could be threatening the future of the free press in America. Premiering on Netflix June 23.
  • For Akheem (Landon Van Soest, Jeremy S. Levine) — An emotional fly-on-the-wall study of a critical point in the life of Daje Shelton, an at-risk teenager trying to survive all the pitfalls of her North St. Louis neighborhood.
  • The Force (Peter Nicks) — A deep dive into the inner workings of the Oakland Police Department as it contends with chaotic leadership, corruption, and public fury over fatal shootings. From the director of the amazing Oscar-nominated The Waiting Room. Hits theaters in September.
  • A Suitable Girl (Smriti Mundhra, Sarita Khurana) — A charming audience-pleaser about three young Indian women trying to find an appropriate husband as customs and expectations around arranged marriages shift in the rapidly modernizing society.

I covered as many of the offerings as possible for Film Journal International, you can see my reviews here and here.

Screening Room: ‘Abacus: Small Enough to Jail’

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The newest documentary from Steve James (Hoop Dreams), Abacus: Small Enough to Jail, opens this week in limited release and should be running soon on PBS. My review is at Film Journal International:

For his first feature-length documentary since Life Itself, Steve James takes on one of the great unknown stories of the housing market crash. Following the detonation in 2007 and 2008 of the toxic subprime mortgages that had been inflating the profits of financial institutions and the subsequent government bailout, there was a hue and cry for at least some heads of those firms to face criminal charges … No matter how loud those calls were, though, ultimately no financial-industry institution was ever put on trial for anything relating to the greatest market collapse since the Great Depression. Except, that is, for the family-run Abacus Federal Savings Bank in New York’s Chinatown…

Here’s the trailer:

Screening Room: ‘Elian’

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In 1999, a five-year-old Cuban boy was plucked from the waters off Florida. The story that followed was part international incident, part domestic political soap opera, and all spectacle.

CNN’s ‘Elian’ documentary is opening this week in limited release. My review is at Film Journal International:

[The 1990s] saw the 24/7 news cycle roar to life in spectacularly messy fashion through round-the-clock coverage of everything from the O.J. Simpson and JonBenet Ramsey cases to the siege in Waco, Texas. Like those other media tsunami, the Elián Gonzalez case stormed in from nowhere, tore everything to pieces, and was gone before anybody knew what had happened. It started with a five-year-old boy found clinging to an innertube off the coast of Florida and ended with federal agents storming into a Little Havana house, assault rifles at the ready. Tim Golden and Ross McDonnell’s Elián tells the stranger-than-fiction story of what happened not just in between but afterward…

Here’s the trailer:

Screening Room: Tribeca Film Festival

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The 2017 edition of the Tribeca Film Festival wraps up this weekend. As ever, the programmers have culled a potent batch of nonfiction movies, some of which should eventually make their way to a theater near you. In some cases they’ll be showing on TV.

Here’s a few highlighted documentaries that I reviewed for The Playlist:

Screening Room: ‘Citizen Jane’

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In the 1950s, when bulldozing historic downtowns under the flag of “urban renewal” was all the rage, architecture journalist Jane Jacobs was one of the loudest and most eloquent voices of the resistance. A new documentary on her, Citizen Jane: Battle for New York, chronicles her fight against the city planners who dreamed of replacing organic urban chaos with high-rise and parking lot dead zones.

Citizen Jane opens in limited release this week. My review is at Film Journal International:

At the risk of oversimplifying the debate, Citizen Jane: Battle for the City divides the participants into two camps: the “top-down” city planners and the “bottom-up” activists. To illustrate that divide, Tyrnauer handily reaches back to the most famous urbanist debate of the 20th century: the fight between New York planning czar Robert Moses and journalist-turned-activist Jane Jacobs. The struggle wasn’t always easily understood, but the stakes were for the future of the city itself…

Here’s the trailer.

Screening Room: ‘I Am Jane Doe’

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The documentary I Am Jane Doe opens this week in limited release.

My review is at Film Journal International:

Nobody would argue that Mary Mazzio’s I Am Jane Doe is not squarely situated in the advocacy documentary genre. It doesn’t pretend not to have a little interest in debating the issue at hand. Normally, that would be a negative. But when the issue is a website that appears to be making millions off prostitution, including the trafficking of underage girls, it can be difficult to find people willing to defend such practices on camera…

Here is the trailer:

Screening Room: ‘Oklahoma City’

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In 1995, the biggest domestic terrorist attack in American history to that point took place in Oklahoma City. It wasn’t an isolated incident. Barak Goodman’s documentary shows what lead up to the bombing and along the way provides a thumbnail history of the American white supremacist underground.

Oklahoma City is opening this week in limited release and will be broadcast as part of PBS’s American Experience series on February 7. My review is at Film Journal International:

For all the news ink and televisual garble that was expended on the roiling subculture of American right-wing extremists during the 1980s and ’90s, surprisingly little of that time was spent on their roots in blatantly racist white supremacy. Because the militias’ anti-government and pro-gun rhetoric was louder than its white-separatist ideology, that was the half-story which much of the media led with once the militias’ fantasies of all-out conflict began to spark actual bloodshed. Barak Goodman’s thorough, dramatic documentary about the 1995 Oklahoma City terrorist attack doesn’t make that same mistake…

Here’s the trailer.

Screening Room: ‘I Am Not Your Negro’

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In the 1970s, James Baldwin started working on a book about his three friends who had been martyred for the civil rights cause: Medgar Evers, Malcolm X, and Martin Luther King, Jr. The book was never finished. The spectacular and burningly relevant new documentary, I Am Not Your Negro, threads the pieces of that elegy through a skein of dramatic footage.

I Am Not Your Negro is opening this weekin limited release, followed by a full roll-out in February. My review is at PopMatters:

An elliptical film, I Am Not Your Negro is partially a history of the Civil Rights struggle from 1955 to 1968, framed by these three men. It’s also an unpacking of Baldwin’s take on white America’s inability to come to terms with race and racism, with which it remains obsessed but also, of which it remains ignorant. There is anger aplenty in the film, but Baldwin’s observations indicate the confusion that might be inevitable in trying to understand the “vast, unthinking cruel white majority”…

The trailer is here.

Screening Room: ‘Bobby Sands: 66 Days’

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Bobby Sands: 66 Days is a sharp new documentary about the IRA hero’s world-gripping 1981 hunger strike and how it encapsulated the feverish passions of the Protestant-Catholic “Troubles.”

It’s playing now in limited release. My review is at Film Journal International:

Northern Ireland was still convulsing after years of strife. As Byrne’s dense weave of televisual archive footage shows, the form of battle ranged from peaceful marches to assassinations and running street skirmishes pitting gangs of rock- and Molotov cocktail-armed Catholic youth against British soldiers and a primarily Protestant police force. But for a few details, the footage of a city in free-fall could have been shot anywhere from Berlin circa 1945 to Aleppo today: children playing in burnt-out cars and rubble-strewn fields, the few standing walls covered in political graffiti…

Here’s the trailer:

Screening Room: ‘Best Worst Thing That Ever Could Have Happened’

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In 1981, Stephen Sondheim and Hal Prince were the kings of Broadway. After a decade of shows from Company to Sweeney Todd that reinvented the American musical form, they were embarking on another venture: Merrily We Roll Along. Things didn’t go as planned.

Directed by Lonny Price, one of the original cast members, Best Worst Thing That Ever Could Have Happened is the up-close account of one of Broadway’s most infamous flops. It’s opening this week in limited release and will probably show up on PBS soon. My review from the New York Film Festival is at PopMatters:

At first, Price makes Best Worst Thing That Ever Could Have Happened something of a personal essay, describing with enthusiastic panache his obsessive love of the form in general and these practitioners in specific. Then he broadens the circle, marrying rehearsal footage of other cast members like Tonya Pinkins and Jason Alexander (eight years before he won a Tony and nine before appearing in Seinfeld) with new interviews. One actor remembers, “You felt like you were witnessing history.” That about sums up the type of enthusiasm that Price delivers here…

Here’s the trailer:

Screening Room: ‘All Governments Lie’

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Yallgovernmentslie1ou would imagine from the title of the new documentary All Governments Lie, that it’s an investigation of, well, government corruption. But that’s only a sideline in this barn-burner about corporate media’s apparent inability to hold those lying politicians to account.

All Governments Lie is playing now in limited release. My review is at Film Journal International:

If you take everything in Fred Peabody’s screed All Governments Lie: Truth, Deception, and the Spirit of I.F. Stone at face value, then you might as well cancel your New York Times subscription. Don’t read the Washington Post either. PBS’ “Frontline” and CBS’ “60 Minutes”? Garbage, the lot of them! That’s the takeaway from this narrowcast documentary, which takes a valid critique of the deadening effect corporate-government synergy can have on mainstream media’s ability to truly afflict the comfortable and comfort the afflicted and undercuts it with poor logic and simplistic argument…

Screening Room: ’13th’ and Trump

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13th-poster

Ava DuVernay’s documentary 13th lays out in stark terms the history of black oppression in America after emancipation, from Klan terrorism to the modern carceral state. It also places this history in very current terms, tying the reactionary racism of Donald Trump’s movement to the segregationist battle against the civil rights movement.

13th is playing in some theaters and is also available on Netflix. My review is at Eyes Wide Open:

Slavery was outlawed by the 13th Amendment to the Constitution. Even though America spent its early centuries underpinning its economy with slavery in the South (captive labor) and the North (trading in both those slaves and the goods they produced), after the nations bloodiest conflict, it finally listened to Lincolns better angels and made forced labor a thing of the past. That remains true except, as Ava Duvernay’s spring-coiled and crucial documentary 13th makes painfully clear, for one exception…

Here’s the trailer:

Screening Room: ‘Command and Control’

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Getting a brief theatrical run before its PBS debut, one assumes to qualify for the Oscars, Robert Kenner’s adaptation of Eric Schlosser’s book Command and Control is a bracing documentary about a nearly forgotten threat: America’s sprawling nuclear arsenal.

Command and Control is opening this week in limited release. My review is at Film Journal International:

The post-9/11 adage about how security services have to be right all the time while terrorists only have to be right once could easily be adapted to Robert Kenner’s vivid new documentary: People who work with nuclear weapons only have to make one mistake for everything to go to hell…

Here’s the trailer:

Screening Room: ‘Defying the Nazis’

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On the brink of World War II, a Unitarian minister and his wife were ordered by their community to travel from Massachusetts to Europe with a crucial mission: Help as many refugees escape as you can.

Defying the Nazis: The Sharps’ War, which was co-directed by Ken Burns, is opening this week in limited release. It will be broadcast on PBS September 20. My review is at Film Journal International:

Ringing with a vivid moral clarity, Defying the Nazis: The Sharps’ War is a tightly focused documentary that raises an unusually sprawling number of challenging questions for its audience. Unlike many stories of this kind, the film doesn’t pretend that the choices made by its undeniably brave subjects were easy ones or that a cost wasn’t required for their decision to go willingly into the horrors of Nazi-occupied Europe to save whoever they could…

Here is the trailer: